When Time magazine selected the British artist Banksygraffiti master, painter, activist, filmmaker and all-purpose provocateurfor its list of the worlds 100 most influential people in 2010, he found himself in the company of Barack Obama, Steve Jobs and Lady Gaga. He supplied a picture of himself with a paper bag (recyclable, naturally) over his head. Most of his fans dont really want to know who he is (and have loudly protested Fleet Street attempts to unmask him). But they do want to follow his upward trajectory from the outlaw sprayingor, as the argot has it, bombingwalls in Bristol, England, during the 1990s to the artist whose work commands hundreds of thousands of dollars in the auction houses of Britain and America. Today, he has bombed cities from Vienna to San Francisco, Barcelona to Paris and Detroit. And he has moved from graffiti on gritty urban walls to paint on canvas, conceptual sculpture and even film, with the guileful documentary Exit Through the Gift Shop, which was nominated for an Academy Award.
Pest Control, the tongue-in-cheek-titled organization set up by the artist to authenticate the real Banksy artwork, also protects him from prying outsiders. Hiding behind a paper bag, or, more commonly, e-mail, Banksy relentlessly controls his own narrative. His last face-to-face interview took place in 2003.
While he may shelter behind a concealed identity, he advocates a direct connection between an artist and his constituency. Theres a whole new audience out there, and its never been easier to sell [ones art], Banksy has maintained. You dont have to go to college, drag round a portfolio, mail off transparencies to snooty galleries or sleep with someone powerful, all you need now is a few ideas and a broadband connection. This is the first time the essentially bourgeois world of art has belonged to the people. We need to make it count.
The Barton Hill district of Bristol in the 1980s was a scary part of town. Very whiteprobably no more than three black families had somehow ended up thereworking-class, run-down and unwelcoming to strangers. So when Banksy, who came from a much leafier part of town, decided to go make his first foray there, he was nervous. My dad was badly beaten up there as a kid, he told fellow graffiti artist and author Felix Braun. He was trying out names at the time, sometimes signing himself Robin Banx, although this soon evolved into Banksy. The shortened moniker may have demonstrated less of the gangsters robbing banks cachet, but it was more memorableand easier to write on a wall.
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