|The First Art Newspaper on the Net
||Established in 1996
|| Monday, October 24, 2016
|Canadian Artist Rodney Graham Opens Exhibition at Kunstmuseum Basel|
Canadian artist Rodney Graham looks on a mirror with a picture of himself during his exhibition entitled 'Through the Forest' at Kunstmuseum Basel (Museum of Contemporary Art) in Basel, Switzerland. The exhibition runs from 13 June to 26 September 2010. EPA/GEORGIOS KEFALAS.
BASEL.- Canadian artist Rodney Graham's exhibition entitled Through the Forest provides insight into the development of his complex body of work. The roots of Grahams work, which is influenced by 1970s Conceptual art and its way of thinking, lie in the adaptation of literary models. Born in 1949 in Abbotsford, a small town in British Columbia, Canada, Graham and his family moved to Vancouver in 1964. From 1968 to 1971, he studied art history and anthropology, as well as English and French literature, at the University of British Columbia.
Graham made his first large photographic work, 75 Polaroids, in 1976. This series of snapshots taken during a night-time walk through the forests around Vancouver was exhibited at Pender Gallery in Vancouver; it was Grahams first solo exhibition and marked the beginning of his career as an artist. 75 Polaroids contains elements that would be essential to his later works, namely his fascination with photographic processes, which transform objects from mere representations to autonomous images, and the idea of illuminating places at night via flash. Following this work, Graham experimented with a camera obscura he made himself and used to photograph archaeological sites during his stay at the American Academy in Rome. This line of work culminated in the series Rome Ruins (1978).
In 1984, the groundbreaking exterior installation entitled Two Generators was exhibited in Vancouver. Graham used a generator to produce electrical light, which he then used to illuminate a river near the university campus. In 1986, Rodney Graham came across an English translation of the story Lenz by the German Romantic author Georg Büchner. In that translation, Graham discovered a peculiarity of the layout: the words Through the forest appear twice at points where the story continues from one page to another. For him, the text became a loop, as the term is used in film terminology, and a key element to later works. Graham constructed a reading machine that he employed to make this experience both vivid and visible. The first five pages on which he recognised this phenomenon in the layout of the text are arranged so that the rotational effect becomes tangible. The device created appears like a machine for seeing.
Later, Graham made other constructions, like those for Parsifal (19902009), which bring to the viewers attention the infinite nature of a musical phrase that had been inserted into that opera. He also made objects that display books he found in antique shops. From there, it was only a small step to designing bookcases that resembled works of Minimalist art, mostly those by Donald Judd. An early example of this type of work is the bookcase-like object intended for the collected works of Sigmund Freud, on which Graham worked for years. A significant part of this exhibition is devoted to his early works and the development of his oeuvre; to this end, the exhibition is showing the archive of Rodney Grahams former Belgian publisher, Yves Gevaert, allowing viewers to make connections between his work and the material in this archive. An assortment of other materials has also been included, and it contributes to the understanding of how Grahams ideas developed. The Judd-like objects for books are derived from bindings and covers Graham himself designed.
In 1997, Rodney Graham was invited to represent Canada at the Venice Biennale. For this occasion, Graham made an influential film, Vexation Island, based on Hollywood movies and the story of Robinson Crusoe stranded on an isolated island. Graham plays one of the main characters and the film made him instantly famous in the art world.
This exhibition focuses on the films he made later, which, on a formal level, further the tradition of conceptual-text works and light phenomena in terms of themes and motifs. For the film Coruscating Cinnamon Granules (1996), Graham strewed ground cinnamon onto a burner of the stove in his kitchen and filmed the glowing specks; the theatre space in which this film is shown has the same dimensions as the kitchen where it was made. Rheinmetall/Victoria 8 (2003) is an installation of a surrealistic image. Graham acquired an almost unused 1930s typewriter from a second-hand shop in Vancouver. First, he documented the object photographically, in the style of New Objectivity; he then covered it with flour to create a poignant image for words falling silent. Torqued Chandelier Release (2005) is related to the light phenomena explored in the cinnamon film, both dealing with images that employ light effects, thus relating to photography in another way.
Another part of the exhibition deals with the role of the artist. In the film Lobbing Potatoes at a Gong, 1969 (2006), Graham re-enacts a scene from the history of rock music in which a musician throws potatoes at a gong in a sort of performance. In Grahams piece, vodka takes the place of the potatoes; a bottle of vodka is part of the installation. Rodney Graham is interested in these kinds of processes of translation. Something that originated in literature becomes physical as it is rendered in another medium. My Only Novel Translated from the French (After William Beckford, Mark Twain) (2000), in which the French translation of an English text is translated back into English, is a direct example of this. The theme of the role of the artist is also explored in the monumental triptych The Gifted Amateur, Nov. 10th, 1962 (2007). In this work, Graham is a sleepwalking amateur painter who attempts to reproduce a large-format abstract painting. The scene in the light-box piece makes it looks like a film still. Graham plays on the art historical discourse of Modernity in which diverse directions are represented.
Finally Rodney Graham presents himself as a painter who, unlike in The Gifted Amateur, turns to the painting of the so-called École de Paris to produce abstractions in the style of that period. The exhibition Through the Forest displays a long path that goes from the adaptation of literary models and the appropriation of moments in art history to impressive film works, and finally culminates in the most classical art medium, painting.
June 13, 2010
Modern Art Found in Paris Bank Vault Not Seen Since World War II to Go on Sale at Sotheby's
Recent Works by American Artist Lynda Benglis at Galerie Michael Janssen
Show at Brooklyn Museum Unveils Andy Warhol's Catholic, Abstract Side
Kodak Donates Colorama Collection to Photo Museum
First Exhibition to Explore Picasso's Response to Degas
Canadian Artist Rodney Graham Opens Exhibition at Kunstmuseum Basel
Roman Imperial Marble Torso of an Emperor Sells for $7.4 million at Sotheby's
Kathryn Kanjo Named Chief Curator of the Museum of Contemporary Art San Diego
First Solo Exhibition by Yoram Wolberge at Benrimon Contemporary
Whitechapel Gallery Presents the D. Daskalopoulos Collection, Greece
Ferran Garcia Sevilla at the Irish Museum of Modern Art
150 Years of Photography from India, Pakistan, and Bangladesh at Fotomuseum
Group Exhibition is Last at Current Gallery Space for Quint Contemporary Art
Laumeier Features Brandon Anschultz in 8th Kranzberg Exhibition Series
Museum of Fine Arts, Houston Opens Rienzi for Sketching
Georgia O'Keeffe Museum Transforms with Abstract Works
Sculpture Donated To Michener Art Museum In Honor Of New Hope Arts Center Founder
Annie Comic Ends, but the Redhead's Fate Uncertain
Shortlists for the President's Awards for Research 2010 Announced
Most Popular Last Seven Days
1.- New light shines on Sandro Botticelli masterpieces at Florence's Uffizi Gallery
2.- Cincinnati Art Museum's Van Gogh exhibition brings guests Into the Undergrowth
3.- Degas retrospective debuts in the U.S. at the Museum of Fine Arts, Houston
4.- Special exhibition features large-scale photography by Richard Mosse & Edward Burtynsky
5.- Nobel panel gives up knockin' on Dylan's door
6.- An unprecedented, international-loan exhibition of works by Claude Monet is at the Kimbell Art Museum this fall
7.- Exhibition at the Ny Carlsberg Glyptotek explores Rousseau's landscapes
8.- Yoko Ono unveils her first permanent US art installation
9.- ArtReview's annual Power 100 names Hans Ulrich Obrist as the artworld's most powerful figure
10.- British artist David Hockney makes a splash at Frankfurt fair with 2,000-euro book
Major Survey of the Work of Gabriel Orozco Opens at Kunstmuseum Basel
Albert Müller: Paintings, Sculptures and Prints at Kunstmuseum Basel
Restored Masterpieces by Frans Francken on View at Kunstmuseum Basel
101 Master Drawings from the Kupferstichkabinett at the Kunstmuseum Basel
Photographs from the Estate of Frank Buchser on View at Kunstmuseum Basel
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .
|Royalville Communications, Inc|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.