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Wager Begun on Twitter Results in NOMA Winning a Masterpiece from Indianapolis
J.M.W. Turner, "The Fifth Plague of Egypt", 1800.
NEW ORLEANS. LA.- The New Orleans Saints weren’t the only winners on Superbowl Sunday. E. John Bullard, NOMA’s Montine McDaniel Freeman Director, won an online betting match with Maxwell L. Anderson, the Melvin & Bren Simon Director of the Indianapolis Museum of Art (IMA). The spoils? A three-month loan of The Fifth Plague of Egypt, 1800, a landscape by British artist J.M.W. Turner, which was unveiled on Thursday.

“Dreams DO Come True!” Bullard said. “Both teams made their cities proud. We are looking forward to our friends at IMA, Colts fans, Saints fans and all football and art lovers visiting the New Orleans Museum of Art to see the Turner, our Lorrain and all the museum’s masterpieces. And I would be remiss if I didn't say, ‘Who Dat?!’”

The betting war began on Monday, January 25, when arts blogger Tyler Green of Modern Art Notes (artsjournal.com/man) tweeted: “@tylergreendc: Would love to see @IMAmuseum and @NOMA1910 make a Super Bowl bet. Like a painting-loan-to-the-winning city,” quickly escalated to an all-out betting war of fine art.

Anderson started the betting on Twitter by offering a contemporary artwork by Ingrid Calame to NOMA, should the Saints win: “@MaxAndersonUSA: We are prepared to lend a painting by Ingrid Calame to NOMA, for 3 months as of July 1:http://bit.ly/5de79q,” also noting, “We're already spackling the wall where the NOMA loan will hang.”

Dismissing the Calame, Bullard raised the stakes by offering a Renoir. On Tuesday morning, Bullard e-mailed Green with the following message: "Max Anderson must not really believe the Colts can beat the Saints in the Super Bowl. Let's up the ante. The New Orleans Museum of Art will bet the three-month loan of its Renoir painting, Seamstress at Window, circa 1908, which is currently in the big Renoir exhibition in Paris. What will Max wager of equal importance? Go Saints!"

Via Twitter, Anderson upped the ante yet again with: "We'll see the sentimental blancmange by that ‘China Painter’ and raise you a proper trophy,” offering a jewel-encrusted cup by French artist Jean-Valentine Morel, which won the Grand Medal at the 1855 Paris World Fair.

In an e-mail sent to Green later on Tuesday, Bullard countered: "I am amused that Renoir is too sweet for Indianapolis . Does this mean that those Indiana corn farmers have simpler tastes? If so why would Max offer us that gaudy Chalice -- just looks like another over-elaborate Victorian tchotchke. Let's get serious. Each museum needs to offer an art work that they would really miss for three months. What would you like Max? A Monet, a Cassatt, a Picasso, a Miro? Sorry but we have no farm scenes or portraits of football players to send you."

Anderson replied, raising the stakes yet again: “@NOMA1910 Colts will win; here's how sure I am: IMA Turner (http://tinyurl.com/yao7j8s) for Vigée Lebrun's Portrait of Marie Antoinette.”

NOMA responded: “Sorry @imamuseum - Marie is too fragile for travel, much like Farve. What about Claude Lorrain, Ideal View of Tivoli , @MaxAndersonUSA?”

Bullard e-mailed Green: "I'm glad to see that Max has gotten serious. Certainly the Turner painting in Indianapolis is a masterpiece, worthy of any great museum. Regretably the size, over ten feet high with its original elaborate frame, and the fragile condition of New Orleans ' Portrait of Marie Antoinette prohibits it from traveling. I propose instead our large and beautiful painting by Claude Lorrain, Ideal View of Tivoli, 1644. This great French artist is considered the father of landscape painting and was one of Turner's great inspirations. These two paintings would look splendid hanging together in New Orleans -- or miracle of miracles, in Indianapolis ."

Finally, the betting concluded—and the Super Bowl wager between the two museums was sealed—on Wednesday with Anderson ’s tweet: “@NOMA1910 Deal--Claude for Turner. Two masters in spirited competition across the channel, and between our fair cities. Go Colts!”

Bullard’s final response was, “Max is a gracious opponent. Thanks for accepting the wager of a Claude from New Orleans for a Turner from Indianapolis . But this is definitely the Saints year. They are the Dream Team and in New Orleans we know that Dreams Come True. Geaux Saints!!!”

New Orleans Museum of Art | E. John Bullard | Maxwell L. Anderson | Indianapolis Museum of Art |




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