The First Art Newspaper on the Net   Established in 1996 United States Sunday, June 24, 2018

Museum Rethinks its Collection and Presents the Museum of the 21st-Century
''Zaaloverzicht Herhaling: Zomeropstelling'', 1983. Installation view "Repetition: Summer Display", 1983. Photo: Peter Cox Works on display: Daniel Buren, Rebecca Horn, Lothar Baumgarten.

EINDHOVEN.- From 28 November 2009 the Van Abbemuseum will present 'Play Van Abbe'. 'Play Van Abbe' is the result of a long process of rethinking the collection over the part three years. For the next 18 months, this multifaceted program will take the collection and use it to suggest answers to the questions outlined above. It consists of exhibitions, projects, performances, lectures, discussions, and new techniques for mediating the public’s reactions to art and its contexts. With the social and political changes of the last 20 years in mind, the museum uses 'Play Van Abbe' to ask topical questions about the identity and objectives of museums and cultural heritage organizations more generally. It aims to focus not only on the artworks themselves but also on the way we are allowed to look at and to talk about them in a museum. Questions about form and content, copy and original, good and bad are put up for argument.

The apparent neutrality of the museum is tested and the relation to exhibiting and collecting art is explored. The history and purpose of art museums in general and Van Abbemuseum in particular are revealed as partial and related as much to ethical decisions about society as to aesthetic choices about beauty and order. The program will be subdivided into four parts, each with its own theme. On 28 November, the first part will commence: The Game and the Players with as its central theme the conventions and personalities that produce the knowledge and experience of a museum today.

Play Van Abbe
'Play Van Abbe' is a ‘game’ or ‘role-play’ in which the visitors, the artists and the museum workers are asked to play an active role. As a program it seeks to remain playful while encouraging critical thinking about how artworks got here and what the museum can do with them now that they have arrived. Together with visitors, artists, (guest) curators, researchers, and institutions from the Netherlands and abroad, the Van Abbemuseum wants to play the museum like an instrument and learn more about itself and the possibilities of cultural production today. In order to do justice to these questions, the museum has suspended its temporary exhibitions programme for 18 months and puts its full attention on 'Play Van Abbe'.

The questions addressed in this program are based on the museum’s observations of how society has changed over 20 years. For example, how does globalization or the creation of on-line communities affect a museum? How can we create space for interpretation and reflection in a continuously demanding environment?

Using 'Play Van Abbe', the Van Abbemuseum contributes to a broad theoretical discussion about the identity of museums of contemporary art in the 21st-century. The topics are visualised in the museum’s every-day situations. Christiane Berndes, curator of the collection: ‘We want to visualize the museum in relation to day-to-day life and the world around us in a different way. We want visitors to stop and think ‘we never looked at it this way’. I’d like them to be inspired!'

Programme setup
The 18-month program of 'Play Van Abbe' is subdivided into four parts, each with its own theme. In each part, specific topics are put up for discussion. Through works of art and forms of mediation, curatorial and artistic visions are explored, and the museum model is investigated, and exhibitions are displayed anew.

New stories are told with the museum’s collection, old stories are reconstructed and artists are given assignments. Each part features an intervention or interruption; a project that breaks into the chapter’s theme and seeks to test the limits of the practice of the museum. During the change-over period, when parts are exchanged for new ones, visitors are invited to take a look behind the scenes of the museum. The four parts of 'Play Van Abbe' are supplemented by lectures and discussions, a research program, an international-conference and various publications.

The parts
The first part "The Game and the Players", will commence on Saturday, November 28, 2009 and will run until March 2010. In this chapter, the museum will focus on the stories of artists and exhibition makers. Who are these ‘players’
within a museum? What are their aims? How was the collection presented in 1983 and how is it done in 2009? The first chapter is about positioning an art museum– today and in the past – and rethinking it as both a productive environment in which stories unfold and a site for presentation in which things are seen.

In March 2010, the second part, called "Time Machines" begins. In this chapter museum models from the past are viewed. How does the museum use presentation techniques to tell a story and what are the hidden assumptions?

In part 3, "The Politics of Collecting: The Collecting of Politics" the act of collecting falls under the spotlight. What does it mean to collect and keep works of art? What kind of world is perceived when viewing a collection? Who decides and why?

The final part, called "The Tourist, the Pilgrim, the Flaneur (and the worker)" will investigate the pleasure of being a visitor to the museum and how to intensify that experience.

The background of 'Play Van Abbe'
'Play Van Abbe' evolved from the Plug In program at the Van Abbemuseum which ran between 2006 and 2009. It is also a response to the challenges of various disciplines, including art, art history, cultural studies and sociology, as well as people involved in the daily practice of the museum. Their questions relate to the work of art as a material object and to the museum as the context in which the work of art is positioned and identified.

Together with interdisciplinary and international forms of collaboration, 'Play Van Abbe' investigates how to position a museum as a knowledge institution that tries to preserve a ‘collective cultural memory’. It seeks to surprise and inspire a public while promoting critical, long term thinking about art’s role in the contemporary world.

Van Abbemuseum | Play Van Abbe | Christiane Berndes |

Today's News

November 29, 2009

Kunsthalle Dusseldorf Eats the Universe with Exhibition of Art Made with and Involving Food

One of the Greatest of All Illuminated Manuscripts to be Exhibited at the Morgan

Museum Rethinks its Collection and Presents the Museum of the 21st-Century

Major Picasso Exhibition Featuring Unique Paintings at Heather James Fine Art

Iconic Ansel Adams Print Going Up for Auction at Swann Auction Galleries

Canadian Photographer Edward Burtynsky Presents "Oil" at Huis Marseille

Ei Arakawa Invites Artists for Exhibition at Kunsthalle Zurich

Bonhams New York Presents First Coins and Banknotes Sale

Michael Lee-Chin Crystal Cited as Architectural Marvel

Catch Only West Coast Presentation of Luc Tuymans at SFMOMA

Dual Exhibitions by Acclaimed Polish Artists to Open at Modern Art Oxford

Koudelka's Legendary Photographs of the Prague Invasion to be Shown in Miami

Raffles College of Design Fashion Grads Compete for Akira Internship

Hannah Maybank Opens Third Solo Exhibition at Gimpel Fils

London-Based Pakistani Artist Brings Unique Artworks to Dubai

December UBS 12 x 12 at Chicago's MCA Presents Carrie Schneider

Yuriko Lochan Creates a New "Self" Portrait in Her Solo Exhibition at Alliance Francaise

Kessling Vs. Kessling 2009 at the Modern Artists Gallery

Exhibition at Cantor Arts Center will Celebrates Donors' Vision and Generosity

Chichen Itza Gets Greener

Most Popular Last Seven Days

1.- Porsche Super Speedster offered for first time in 50 years at RM Sotheby's Porsche 70th Anniversary Auction

2.- Cummer Museum of Art & Gardens opens 'Storytelling: French Art from the Horvitz Collection'

3.- Gauguin: Voyage to Tahiti stars Vincent Cassel as the famed French artist

4.- Stunning colored diamonds expected to dazzle at Heritage Auctions' Summer Fine Jewelry Auction

5.- US designer Kate Spade found dead at 55

6.- Vincent Van Gogh painting sells for over 7 million euros: Artcurial auction house

7.- Sir Stanley Spencer painting discovered hidden under a bed during a drugs raid

8.- Oxford's Bodleian Libraries unveil UK's first major Tolkien exhibition in decades

9.- Major exhibition at the Guggenheim explores decades of work by Alberto Giacometti

10.- World's largest freshwater pearl goes for 320,000 euros

Related Stories

Geert Mul and Maurer United Architects Transform Bus Stop into a Beacon for the Media Era

Royal Couple Visits Double Infinity Exhibition at Dutch Culture Centre Shanghai

First Free Sol Lewitt Copy by SUPERFLEX Leaves the Van Abbemuseum

Van Abbemuseum Invites Danish Collective SUPERFLEX to Work with the Museum's Collection

Van Abbemuseum Welcomes Visitors to Experience the Museum on Transformation Mode

'If I Can't Dance...' to Take Over the Van Abbemuseum for Eighteen Hours

A Painting by Karel Appel has Been Donated to the Van Abbemuseum in Eindhoven

Dr. John Milner Explains The Historical Context of El Lissitzky

Van Abbemuseum Rounds Off a Successful Year in 2009

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful