The First Art Newspaper on the Net Established in 1996 United States Tuesday, July 29, 2014


Vitra Design Museum Shows Antibodies: The Works of Fernando & Humberto Campana
Harumaki, 2004 © Estudio Campana, Photo: Fernando Laszlo.
WEIL AM RHEIN.- The Brazilians Humberto Campana (born in 1953) and his brother Fernando (born in 1961) have worked together as furniture designers in Sao Paulo since 1989. Humberto came to the partnership as a self-taught artist with a degree in law while Fernando had been trained as an architect. The first joint work of this unequal pair – brutalistic, surrealistic furniture sculptures – caused a sensation in the Sao Paulo art scene right from the start. Over the past twenty years, they have established themselves among the most well-known and successful designers of our times, implementing their distinctive and individual language of objects in a tremendously wide-ranging oeuvre of furniture, lighting and installations that has been recognized in numerous publications and exhibitions such as at the Experimenta in Lisbon, the Museum of Modern Art in New York and the London Design Museum.

The Campanas’ “Favela” and “Vermela” armchairs, both produced by the Italian furniture manufacturer Edra, the “Banquete” armchairs created by hand in small series in their Sao Paulobased studio, as well as their inflatable table or the “Plastico Bolha” easy chair made of bubble wrap – each of these objects rapidly became an icon of contemporary design. However, due to the fact that much of their creative work results in these limited series or one-off pieces that often are produced as private commissions, little is known of the true variety and scope of their oeuvre, which has been augmented in recent years by a number of spectacular works. Furthermore, only few attempts have been made to date to trace the guiding principles of their complex body of work. At the same time, the Campanas’ career coincides with the international success of unique, custommade and accentuatedly artistic designs which often go directly from the maker’s studio to private or public collections without ever being subjected to a regular use. In fact, Fernando and Humberto Campana are perhaps the most prominent exponents of this trend.

Concept
Through a series of exceptionally successful seminars that the Campanas conducted for its summer workshop program, the Vitra Design Museum established a close relationship with the pair. This association provided the basis for the preparation of this major retrospective offering an overview of their most important works as well as their background. The exhibition highlights the characteristics of an oeuvre whose preoccupation with recycling, the melding of natural and artificial materials and the simultaneity of cultures sketches out a fascinating picture of our time. From the early days up to the present, their work has navigated a narrow path between design and pure art und spawned the most astonishing collages of objects and materials: “It’s a kind of flirt with the material which stands up asking: what can we be transformed into? The material dictates the form and the function in our work.” Thus the exhibition devotes special attention to the Campanas’ working method, which is influenced by various sources of inspiration – the exuberant nature of Brazil’s primeval forests, the improvisations of street hawkers and the shacks of the slums, as well as film, music and fine art. The organization of their studio and the collaboration with external workshops as well as with international companies like Alessi, Edra or Vitra will be documented along with the interdisciplinary work on their latest projects. Along with this most comprehensive overview of their oeuvre to date, featuring a large number of prototypes, experiments and models being shown for the first time, the exhibition presents artworks by the Campanas as well as films, interviews and photos. In nine different groups, the exhibition highlights the formal variety of the works while always keeping the design process transparent.

Biography
Following a biographical introduction with data, photos, a filmed interview and the two chairs “Negativo” and “Positivo” that marked the start of the brothers’ collaboration, the exhibition goes on to present the oeuvre through the structuring of the work in regard to the fundamental formal and technical principles pursued by the Campanas since the beginning of their partnership. Each group comprises iconic key objects that define decisive steps in their career while showing the growth of formulations around these creative principles.

Fragments
“Fragments” shows objects which the Campanas constructed through an assembly of similar parts: a new version of their famous “Favela” armchair from 1991 belongs to this group as well as an abstract terracotta sculpture of shattered forms, which Humberto realized in 1982 – several years before the brothers began working together. In fact, the majority of the exhibition’s groups consist of both early and recent works and thus demonstrate the continuous development of their interests.

Hybrids
Following a number of experiments in the mid-1990s, the Campanas have returned in recent years to the combination of contradictory materials. The exhibition’s largest object, a sculptural seating of wicker and crystals, realized by the Campana brothers on the occasion of their appointment as Design Miami’s “Designers of the Year” in 2008, will be presented in an installation with other “Hybrids” such as the “Animado” rug of cowhide and synthetic turf from 1997.

Objets Trouvés
Many of the Campanas’ artistic techniques recall methods utilised by surrealist artists in their painting, graphics, sculpture or film. They link the influence of Surrealism on 20th South American art with the widespread practice of recycling prefabricated objects in their native Brazil and reinterpret these as materials for their own designs.

Knots / Sticks
Numerous of the Campanas’ furniture and accessories are created solely from linear structures. Seemingly they depict patterns of the natural and urban jungle as the crucial coordinates of Brazilian life and a permanent inspirational source of Fernando and Humberto Campana, “following amorphous ideas” Fernando Campana. The exhibition shows these sources in slideshows with many examples of their own photographs as well as in two short films shot by the designers themselves: an annotated tour of the center of Sao Paulo and a view of their tree house outside their home town of Brotas.

Organics
The fascination nature exerts on Fernando and Humberto Campana is especially evident in numerous pieces of furniture and accessories that take the form of living creatures: in two fruit bowls from 1990, for example, in Edra’s sofa “Kaiman Jacaré”, in their “Drosera” wall pockets for the Vitra Edition or their “Mandacarú” toys. Here as well, the subject will be illustrated by a slide show of some of their excursions.

Flexed Planes
The works from the second half of the 1990s seem to hold an exceptional position within their oeuvre. All of a sudden we come across functional objects in sleek geometric forms made of industrial materials: the “Inflavel” side table produced by MoMA in New York for a number of years, the “Labirinto” shelf or the “Cone” armchair, both from 1997, are the most well known examples. At second sight, however, we recognize that these objects too owe their inspiration to a genuine Brazilian motif: the audacious Modernism of an Oscar Niemeyer or Roberto Burle Marx, which are already reflected in Humberto Campana’s sculptures of the early 1980s.

Paper Pieces
The Campanas work almost exclusively with inexpensive everyday materials and discovered the versatility of corrugated cardboard early on. Following a series of Vitra Design Museum’s workshops in Boisbuchet and parallel to the preparation of this exhibition, they are working with Vitra Design Museum on the development of several industrially produced utensils made of paper that the exhibition will present for the first time, along with a documentation of the process of design and production.

Clusters
The earliest article of daily use in the exhibition is a mirror – one of many that Humberto Campana designed in the early 1980s, excessively decorated with hundreds of seashells he had collected himself at the beach. This exuberant sensualism too is a motif which the Campanas’ work repeats in the most diverse of forms. In their limited series of “Multidao” or “Banquete” armchairs, for example, which have fetched top auction prices in recent years, the Campanas succeeded in using this impulse for their invention of new materials – another example of the recycling that has a constant presence in the streets of Sao Paulo.

Exhibits
The exhibition encompasses approximately 70 pieces of furniture, 13 lamps, 8 pieces of jewellery and clothing, 50 domestic objects, 20 art objects, 3 architectural models, 25 objects that the Campanas collected themselves, 4 films, 1 slideshow, approx. 10 blow-up photos.

Vitra Design Museum | Humberto Campana | Fernando Campana | Edra | Museum of Modern Art |


Today's News

May 20, 2009

Francis Bacon's Provocative Works Featured in Exhibition at Metropolitan Museum of Art

Sotheby's To Offer Tuyomyo, a Bench by Frank Gehry in June

"Mannahatta/Manhattan: A Natural History of New York City" Takes Visitors 400 Years Back in Time

Early Bob Dylan Poem Highlights Christie's Pop Culture Sale on June 23

Royal Academy's Summer Exhibition 2009 Courtyard Sculpture Installed

Vitra Design Museum Shows Antibodies: The Works of Fernando & Humberto Campana

AIA Selects the 2009 Recipients of the Small Project Awards

Museum Uses Technology + New Media to Connect with Visitors

Augusto Giacometti, Cuno Amiet, Paul Camenisch and Ernest Bieler in the Spotlight

MoMA Presents Weeklong Run of DJ Spooky's Rebirth of a Nation

DAZ in Berlin Opens Exhibiton on Contemporary Architecture as well as Urban Tendencies in Istanbul

Andrew Wyeth's Last Painting, 'Goodbye,' to be Published

Important Painting by Charleston-Born Artist Louis Rémy Mignot On View Now at the Gibbes Museum of Art

A Festival of Books: Christie's Offers a Collection of Illustrated Fete Books

A Rare Frederic Church Work Highlights American Paintings Sale

Sotheby's Next Sale of Asian Art, to be Held on June 11 in Paris

Art Changes Football Forever

Indianapolis Museum of Art Commissions Judith G. Levy for Efroymson Pavilion Installation Series

Dutch Prince and Princess to Open Major Exhibition of Historic Dutch Art at the Vancouver Art Gallery

Graduate Students Share Scholarly Achievements June 5

Most Popular Last Seven Days



1.- Archaeologists discover Roman 'free choice' cemetery in the 2,700-year-old ancient port of Rome

2.- Romanians must pay 18 million euros over Kunsthal Museum Rotterdam art heist

3.- Hello Kitty designer Yuko Yamaguchi defends cute character as cat turns 40 years old

4.- eBay and Sotheby's partner to bring world class art and collectibles to a global community

5.- Exhibition on Screen returns with new series of films bringing great art to big screens across the globe

6.- Marina Abramović reaches half way point of her '512 Hours' performance at the Serpentine Gallery

7.- The Phillips Collection in Washington introduces a uCurate app for curating on-the-go

8.- United States comic icon Archie Andrews dies saving openly gay character

9.- New feathered predatory fossil, unearthed in China, sheds light on dinosaur flight

10.- Exhibition at Thyssen Bornemisza Museum presents an analysis of the concept of the 'unfinished'

Related Stories



Design and the Art of Reduction at the Vitra Design Museum

Tokyo Opera City Art Gallery Shows Exhibition by Influential Designer Verner Panton



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Rmz. - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site