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Exhibition of portraits by Henri de Toulouse-Lautrec opens at the Bruce Museum
Gale and Bob Lawrence, Ann Vassiliou, Kathleen Metinko, Jan Kniffen, Dick and Lucy Glasebrook.


GREENWICH, CONN.- A fascination with the spectacle, nightlife, and the tawdry side of celebrity culture is hardly a recent phenomenon. The artist Henri de Toulouse-Lautrec (1864 – 1901) is famed for his images, created more than a century ago, of entertainers in the cabarets, dance halls, theaters and brothels of Paris.

The Bruce Museum in Greenwich, CT, is presenting the major exhibition In the Limelight: Toulouse-Lautrec Portraits from the Herakleidon Museum, which showcases the artist’s portraits of the dancers, singers and other performers who became the icons of the Parisian nightlife in the late 19th century. Featuring 100 drawings, prints, and posters (approximately half of the Herakleidon Museum’s extensive collection of Toulouse-Lautrec works on paper), the exhibition explores the relationship between portraiture, caricature, and rise of the cult of celebrity in Belle Époque Paris.

Lautrec wanted to show life as it is, not as it should be, but his objectivity was not without empathy or humor. His interest lay in portraying people, not only those he met during his nights on the town, including Sarah Bernhardt, Jane Avril, and Aristide Bruant, but also his friends and the working-class citizens of Paris.

“As a longtime friend of many of the celebrities he depicted, Lautrec was uniquely able to appreciate the hollowing effects of celebrity,” notes exhibition curator Mia Laufer, PhD candidate (Washington University in Saint Louis) and former Zvi Grunberg Resident Fellow at the Bruce Museum (2015-2016). “He used portraiture to comment on the absurdity and excess of bohemian life. Lautrec could see through the guise of their public personas.”

Lautrec was also the subject himself of attention around the Parisian community of Montmartre when he moved there in 1885 and immersed himself in its nightlife. Visiting popular cafés concerts night after night, always sitting at the same table specially reserved for him, Lautrec was viewed by many as just another odd character on the scene. Because of Lautrec’s unusual appearance, he too created a public persona that masked a more complex interior. The self-conscious artist often resorted to outlandish behavior, preferring to be known for his biting wit, elaborate dinner parties, entertaining costumes, strong cocktails, and drunken extravagance, rather than for his appearance. He was only 4 feet 11 inches tall, having broken both legs at an early age, and died at age 36 from the ravages of syphilis and alcoholism, but he became famous, above all, for his advertising posters and portraits of personalities of the day.





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