The First Art Newspaper on the Net   Established in 1996 United States Friday, September 20, 2019

Nature, science and art intertwine at the Patricia & Phillip Frost Art Museum FIU
Extravagant Eden 19, 2016, Pen and ink on paper with polymer particles.

MIAMI, FLA.- “Everything is interconnected, all that we know and everything we have yet to discover,” says the artist Carol Brown Goldberg about her new exhibition Tangled Nature at the Patricia and Phillip Frost Art Museum FIU in Miami. The exhibition features 52 recent artworks, most exhibited for the first time. Goldberg takes a cue from the Surrealists by using the technique of automatic drawing ― allowing her hand to overrun the canvas in a wild, untamed flow, to allow the subconscious to take over.

For even greater immediacy while creating this new series, Goldberg worked mostly in a mono-chromatic approach, with acrylic markers instead of brushes to reduce time by not having to mix paint colors. “This past year has been an age of anxiety for our world, and my use of black-and-white echoes the pertinent yearning for clarity,” adds Goldberg.

The exhibition is curated by Klaudio Rodriguez and features ink on paper, acrylic on canvas and acrylic pen on canvas. On view through May 21 at the Florida International University campus located in southwest Miami.

Setting her hands free from the conscious mind, the artist inscribes lines and images that take on a life of their own, creating worlds that are almost extra-terrestrial.

The resulting experience inside the museum’s galleries evokes trance-like states for the viewer, fantasies derived from Goldberg’s inspiration from science, nature, spiritual technology and, especially, cutting-edge particle physics.

“Every single moment in time contains the past, present and future, all entangled together from the edges of the cosmos all the way back to ancient civilizations.”

Goldberg’s process is purely free-flowing, “Whatever appears on the surface is meant to come to the surface and can be compared to the Zen state of emptying the mind,” says the artist.

“When I work, my hand is not fighting my thoughts. I’m immersed in a meditative, rhythmic state. With one part of my brain I listen to books on tape or a lecture and take in information, and simultaneously with the other side of my brain I’m creating, taking my line on a journey.”

The artist’s body of work titled Extravagant Eden, transports the viewer to faraway, dreamlike gardens that mysteriously unravel across terrains of sinewy lines.

Through the outlines of her automatic drawing, Goldberg creates natural spaces that are vast – tendrils, vines, flowers and pods, roots and trunks all intertwine, mirroring the Butterfly Effect of Chaos Theory.

Foliage explodes into spontaneous growth, each vine hedging out the other, reaching for its share of sun, air and space.

These biomorphic free-flowing creations also traverse beyond the natural world, exploring the complex webs of human relationships that ensnare all of us.

Goldberg’s work pays homage to 20th-century masters such as Henri Matisse, Fernand Léger and Stuart Davis. Unbroken lines and bold colors figure prominently in Goldberg’s work.

Although her work is guided by her subconscious, Goldberg’s lines and colors are deliberate, controlled and at times extremely intricate.

“Carol is constantly experimenting with techniques and cross-disciplinary theory,” says the Director of the Patricia & Phillip Frost Art Museum at Florida International University, Dr. Jordana Pomeroy. “Her intricate, detailed works are a reminder to us all that creativity, innovation, and energy propel the artistic process.”

The museum has created a large-scale collaborative mural project within the galleries.

Taking on a life of its own, the mural has drawn in hundreds of participants including FIU students, professors, museum staff, docents, adults taking art classes, and many school groups from nearby Sweetwater Elementary School (who only receive one hour of art class per week).

“This fantastic mural project has come alive as a never-ending creation without boundaries,” adds the artist. A continual work-in-progress, Goldberg returns on-site regularly throughout the duration of the exhibition to join her mural compatriots on this creative journey.

“This mural is linking multiple visions into one organic collaboration, with never-ending lines that connect every person’s contribution,” adds Goldberg.

The exhibition will next travel to the American University Museum in Washington, DC.

View this video from the Phillips Collection, featuring Curator Klaus Ottmann discussing the One-on-One series, an exhibition where works by Carol Brown Goldberg were placed in conversation with Henri Matisse's Interior with Egyptian Curtain.

Influenced by the Washington School of Color and the figurative tradition of the American University where she would later teach, Goldberg has been a prominent figure in the Washington, DC art scene since the late 1970s. During her career, she has created in the mediums of drawing and painting, sculpture, writing, photography and film.

Her work examines the metaphysical relationship between the arts, science and nature.

Carol Brown Goldberg was born in Baltimore, and moved to the Washington, DC metro area after graduating from the University of Maryland with a B.A. in American Studies.

She subsequently pursued her studies at the Corcoran School of Art under Gene Davis, where she was awarded the Eugene M. Weisz award upon graduation. She has taught at American University and the University of Maryland, was Artist-in-Residence at the Chautauqua Institute, and is a recipient of the Maryland State Arts Award.

Goldberg has shown in the U.S. and internationally in more than 100 solo and group exhibitions. Her work is included in many museums and private collections, including the New Orleans Museum of Art and the National Museum of Women in the Arts, as well as outdoor sculpture installations at the Kreeger Museum and the Katzen Arts Center at American University.

Today's News

April 8, 2017

Exhibition considers what is at stake when heritage is destroyed in war-torn region

"Maria Lassnig: The Future is Invented with Fragments from the Past" opens at the Municipal Gallery of Athens

Cooper Hewitt presents jeweled splendors of the Art Deco era

Exhibition examines transformative early years of Peter Voulkos' career

Berlin's Nationalgalerie opens first comprehensive presentation of Rudolf Belling's work

Old Master prints take the lead at Swann Galleries' May Prints Sale

New body of work by Pakistani artist Imran Qureshi on view at Galerie Thaddaeus Ropac

Rare beauty at Bonhams 19th Century European Painting Sale in New York

Freeman's single owner sale "1000 Years of Collecting" hits high notes

Iowa State University receives important gift of art valued at more than $1.2 million

Powerful self-portraits depicting drug addiction on view at National Galleries of Scotland

Largest solo exhibition in Spain dedicated to Akram Zaatari opens in Barcelona

Nature, science and art intertwine at the Patricia & Phillip Frost Art Museum FIU

From shabby to chic, downtown LA gets a facelift

deCordova shines new light on women abstract artists

Gregory Hayes's third solo exhibition with Nancy Margolis Gallery opens in New York

Aurel Scheibler exhibits Öyvind Fahlström's first variable sculpture Sitting...Blocks from 1965-66

Alicia Reyes McNamara opens her first solo show in a public institution

Hionas Gallery opens solo exhibition comprising seven vivid works on canvas by Stephen Maine

Latvian National Museum of Art opens exhibition of works by Krista Dzudzilo

Philippe Braquenier's Palimpsest opens at the Ravestijn Gallery in Amsterdam

'Worried' by Brexit: top British conductor Gardiner

In Berlin, a street art gallery designed to be destroyed

MoMA PS1 opens first U.S. museum solo exhibition for Ian Cheng

Most Popular Last Seven Days

1.- Holocaust 'masterpiece' causes uproar at Venice film festival

2.- To be unveiled at Sotheby's: One of the greatest collections of Orientalist paintings ever assembled

3.- Bender Gallery features paintings by up and coming Chicago artist Michael Hedges

4.- Lévy Gorvy exhibits new and historic works by French master in his centenary year

5.- Artificial Intelligence as good as Mahler? Austrian orchestra performs symphony with twist

6.- Fascinating new exhibition explores enduring artistic bond between Scotland and Italy

7.- Exhibition explores the process of Japanese-style woodblock production

8.- Robert Frank, photographer of America's underbelly, dead at 94

9.- The truth behind the legend of patriot Paul Revere revealed in a new exhibition at New-York Historical Society

10.- Hitler bust found in cellar of French Senate

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful