The First Art Newspaper on the Net   Established in 1996 United States Sunday, December 4, 2016


First major UK retrospective in 40 years on photographer Paul Strand opens at the V&A
Martine Franck, Paul Strand Photographing the Orgeval Garden, 1974. © Martine Franck / Magnum Photos.
LONDON.- For the first time in the UK in 40 years a major retrospective on the American photographer Paul Strand (1890-1976) opened at the V&A. The exhibition is the first of its kind since Strand’s death in 1976 and shows how the pioneering photographer defined the way fine art and documentary photography is understood and practiced today.

Part of a tour organised by Philadelphia Museum of Art, in collaboration with Fundación MAPFRE and made possible by the Terra Foundation for American Art, the V&A exhibition reveals Strand’s trailblazing experiments with abstract photography, screens what is widely thought of as the first avant-garde film and shows the full extent of his photographs made on his global travels beginning in New York in 1910 and ending in France in 1976. Newly acquired photographs from Strand’s only UK project – a 1954 study of the island of South Uist in the Scottish Hebrides – are also on show, alongside other works from the V&A’s own collection.

Paul Strand: Photography and Film for the 20th Century encompasses over 200 objects from exquisite vintage photographic prints to films, books, notebooks, sketches and Strand’s own cameras to trace his career over sixty years. Arranged both chronologically and thematically, the exhibition broadens understanding of Strand as an international photographer and filmmaker with work spanning myriad geographic regions and social and political issues.

Martin Barnes, curator of the exhibition said: “The V&A was one of a handful of UK institutions to collect Paul Strand’s work during his lifetime and the Museum now houses the most extensive collection of his prints in the UK. Through important additional loans, the exhibition explores the life and career of Strand, but also challenges the popular perception of Strand as primarily a photographer of American places and people of the early 20th century.”

The exhibition begins in Strand’s native New York in the 1910s, exploring his early works of its financial district, railyards, wharves and factories. During this time he broke with the softfocus and Impressionist-inspired ‘Pictorialist’ style of photography to produce among the first abstract pictures made with a camera. The influence of photographic contemporaries Alfred Stieglitz and Alvin Langdon Coburn as well European modern artists such as Braque and Picasso can be seen in Strand’s experiments in this period. On display are early masterpieces such as Wall Street which depicts the anonymity of individuals on their way to work set against the towering architectural geometry and implied economic forces of the modern city. Strand’s early experiments in abstraction, Abstraction, Porch Shadows and White Fence are also shown, alongside candid and anonymous street portraits, such as Blind Woman, made secretly using a camera with a decoy lens.

The exhibition explores Strand’s experiments with the moving image with the film Manhatta (1920 - 21). A collaboration with the painter and photographer Charles Sheeler, Manhatta was hailed as the first avant-garde film, and traces a day in the life of New York from sunrise to sunset punctuated by lines of Walt Whitman’s poetry. Strand’s embrace of the machine and human form is a key focus of the exhibition. In 1922, he bought an Akeley movie camera. The close-up studies he made of both his first wife Rebecca Salsbury and the Akeley during this time are shown alongside the camera itself. Extracts of Strand’s later, more politicised films, such as Redes (The Wave), made in cooperation with the Mexican government are featured, as well as the scarcely-shown documentary Native Land, a controversial film exposing the violations of America’s workforce.

Strand travelled extensively and the exhibition emphasises his international output from the 1930s to the late 1960s, during which time he collaborated with leading writers to publish a series of photobooks. As Strand’s career progressed, his work became increasingly politicised and focused on a type of social documentary alongside the desire to depict a shared humanity. The exhibition features Strand’s first photobook Time in New England (1950), alongside others including a homage to his adopted home France and his photographic hero Eugène Atget, La France de profil, which he made in collaboration with the French poet, Claude Roy. One of Strand’s most celebrated images, The Family, Luzzara, (The Lusetti’s) was taken in a modest agricultural village in Italy’s Po River valley for the photobook Un Paese, for which he collaborated with the Neo-Realist screen writer, Cesare Zavattini. On display, this hauntingly direct photograph depicts a strong matriarch flanked by her brood of five sons, all living with the aftermath of the Second World War.

From the late 1950s to the mid-1960s, Strand photographed in Egypt, Morocco and Ghana, all of which had gone through transformative political change. The exhibition shows Strand’s most compelling pictures from this period, including his tender portraits, complemented by street pictures showing public meetings and outdoor markets. The exhibition concludes with Strand’s final photographic series exploring his home and garden in Orgeval, France, where he lived with his third wife Hazel until his death in 1976. The images are an intimate counterpoint to Strand’s previous projects and offer a rare glimpse into his own domestic happiness.






Today's News

March 20, 2016

Florence' Palazzo Strozzi toasts Guggenheim eye for 20th century masterpieces

First major UK retrospective in 40 years on photographer Paul Strand opens at the V&A

Acclaimed fashion designer Isaac Mizrahi focus of major exhibition at the Jewish Museum

Painting by Frans Van Mieris, early portrait by Alex Katz enter the collection of the National Gallery of Art

Stephen Friedman Gallery opens eighth solo show by British artist David Shrigley

'Any one for Shoes?' Sotheby's to sell complete portfolio of Andy Warhol shoe designs

Düsseldorf-born artist Reinhard Mucha opens exhibition at Kunstmuseum Basel

Solomon R. Guggenheim Museum receives $3 million challenge grant for art conservation

YSP presents At Home, the first in a series of exhibitions curated from the Arts Council Collection

Indiana State Museum bicentennial exhibition highlights Indiana art scene over the years

Exhibition of new paintings and drawings by John Alexander on view at John Berggruen Gallery

Exhibition of photographs rendered in Play-Doh by Eleanor Macnair on view at the Kopeikin Gallery

re/ productions: Cyril Zarcone's first solo show in Paris on view at Galerie Eric Mouchet

The Design Museum will open on 24 November

Best year ever for the Museum of London Docklands

Exhibition of new works by Alessandro Twombly on view at Aurel Scheibler

Museum of Contemporary Art San Diego presents installations by Do Ho Suh

San Jose Museum of Art appoints Lauren Schell Dickens Curator

Ariane Michel presents "The Rhetoric of Tides" at La Criée

One-person exhibition by Belgium-based artist David Claerbout opens at Sean Kelly

Exhibition of paintings by Tom Hackney on view at Francis M. Naumann Fine Art

The Art and Antiques Fair Olympia announces highlights for 2016 fair

Royal Museums of Fine Arts of Belgium exhibit the work of Andres Serrano

Gold dome lifted onto future Russian Orthodox cathedral in Paris

Most Popular Last Seven Days



1.- 'Rare' Anne Frank poem to be auctioned

2.- Dutch National Museum of Ethnology says ancient Mixtec skull a forgery

3.- Emotionally charged relationship between man and woman explored in exhibition

4.- Exhibition celebrates the enduring legacy of Herb Ritts's photography

5.- Israeli scientists unearth extraordinary 'thinker' figurine from the Middle Bronze Age

6.- Robert Crumb and other underground comix artists soar to record prices at Heritage Auctions

7.- Further findings from Maidstone Museum's mummy scan

8.- Norman Rockwell's 'Which One?' leads Sotheby's $28.6 million American Art Sale

9.- Portrait of Russia's last tsar found hidden under a layer of water-soluble paint

10.- Controversial British photographer David Hamilton dies



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful