Douglas Druick, President and Eloise W. Martin Director of the Art Institute of Chicago
announced today the largest bequest of funds in the museums history. The gift from long-time, generous benefactor and collector Dorothy Braude Edinburg provides more than $35 million to acquire new works of art to build on the Art Institutes strong holdings in Prints and Drawings and Asian Art. Coming on the heels of the largest gift of art in the museums history, the Edlis/Neeson Collection in April 2015, the Edinburg gift offers exciting new momentum and opportunity to realize the museums ambitious long-range plan.
It was my great privilege to know and work with Dorothy for more than two decades, and we are thrilled and immensely grateful to receive this unparalleled bequest, said Druick. Together, with the leadership of Chair and Curator of Prints and Drawings Suzanne Folds McCullagh and our curatorial teams, we proudly embraced Dorothys extraordinary collection, and we will use this incredible funding to carry Dorothys vision forwardto inspire, educate, and delight future generations through the collection and presentation of exceptional art.
David Hilliard, long-time Trustee of the Art Institute of Chicago and collector and connoisseur of prints and drawings, shared, It was inspiring to see Dorothy build such an important and world-class collectionover the course of 23 years, Dorothy gifted the museum more than 1,500 works across six centuries and from many fields. This generous bequest ensures her collection will continue to inspire and educate the public, and embodies the excellence and mission of the Art Institute. Its an honor to support the stewardship of her legacy.
In 2013, through a landmark gift of more than 1000 works of art to the museum, Dorothy Braude Edinburg established the Harry B. and Bessie K. Braude Memorial Collection in her parents honor. The collections breadth and scope of European prints and drawings, Chinese and Korean stonewares and porcelains, and Japanese printed books, continues to spark a deeper artistic dialogue across and within the museums permanent collection.