The First Art Newspaper on the Net   Established in 1996 United States Saturday, September 21, 2019

Mexican archaeologists identify 5,000 cave paintings found in the northern state of Tamaulipas
Cave paintings found in the San Carlos mountain range in the Burgos municipality of the Tamaulipas State, Mexico. Archeologist Martha García Sánchez said the paintings were made by at least three groups of hunter-gatherers and show hunting, fishing, housing, animals as well as religious and astronomical symbols. According to archaelogists the paintings have not been dated bacause they have yet to collect samples of the pigments used in the images. Photo: M. Garcia and G. Ramirez/INAH.

MEXICO CITY.- The existence of almost 5 thousand cave paintings found in Sierra de San Carlos, municipality of Burgos, Tamaulipas, made by hunter and collector groups of the region was announced by archaeologist Martha Garcia Sanchez, during the Second Conference of Archaeological History, which took place in the Chapultepec Castle in the National Museum of History.

With the help of archaeologist Gustavo Ramirez from the National Institute of Anthropology and History (INAH) in Tamaulipas, the specialist [Martha Garcia] carried out the investigation: The Cave Paintings of the Municipality of Burgos, which enlighten the existence of 4,926 cave paintings made by at least three different hunter and collector groups of the region: guajolotes, iconoplos, and pintos; although there is evidence that proves these moved through the Sierra de San Carlos region and nearby areas to the cadimas, conaynenes, mediquillos, mesquites, cometunas and canaimes, among others.

The paintings have anthropomorphic, zoomorphic, astronomical and abstract characteristics, and “their importance resides in the fact that thanks to them we can document the presence of pre Hispanic groups in Burgos, where we had earlier believed there hadn’t been any”, she said.

“At Cueva de los Caballos –she added as an example–, we registered more than 1,550 images; but we still have to analyze the cultural components of the paintings because they are representing myths. In Cueva del Indio, we found representations of an atlatl (pre Hispanic weapon used for hunting), which hadn’t been found in cave paintings in Tamaulipas”.

The images, she explained, let us observe the nomads’ activities. They would focus on hunting, fishing and collecting, also the creation of anthropomorphic, religious and astronomical images, along with temporary homes (tipis: tents made with skin that have a cone like shape) and flora and fauna of the region, such as deers, lizards and centipedes.

In this sense, archaeologist Gustavo Ramirez, from the INAH Center Tamaulipas, pointed out that it hasn’t been possible to give the cave paintings a date “because we haven’t found any ancient objects associated with this context and because these manifestations are in the ravine’s walls and, also because in rainy seasons the stream’s current takes all the sediment and we are left with gravel”.

He added that there is a possibility of taking samples from the pigments, “which could allow us to determine the approximate date by means of a chemical analysis or radiocarbon”.

Technique and meaning
Archaeologist Martha Garcia pointed out that in order to identify possible authors they made an investigation in archives, chronicles and reports of the colonial era, such as the General Archive of the Nation, the General Archive of Nuevo Leon and the General Archive of Tamaulipas, as well as the municipal and parish of Burgos, “but there are no registries of these nomadic groups. However, we do have information on tlaxtecan Indians or Indians from Nuevo Leon, Spanish, criollos, and also French, which would (in said epoch) reach the coast”.

These groups escaped Spanish dominion for almost 200 years, explained the investigator as she dwelled on the fact that the evangelization of Burgos started halfway through the XVIII century (1750) because they were unmanageable, “they ran to Sierra de San Carlos where they had water, plants and animals to feed on. The Spanish however, didn’t go though the ravines and gullies”. During the Colonial period, the Spanish offered 25 pesos for every head of hair or 60 pesos for every “rescued” captive, which is why we know so little about their language, rites and customs.

Today's News

May 24, 2013

Metropolitan's expanded and reinstalled new European Paintings Galleries, 1250-1800, open

Partnership of UK museums saves Constable's Salisbury Cathedral masterpiece

Mexican archaeologists identify 5,000 cave paintings found in the northern state of Tamaulipas

United States photographer Annie Leibovitz wins Spain's Prince of Asturias prize

Sotheby's to sell original receipt for Goya painting in Danny Boyle's art heist movie Trance

State Museum displays notes from President Lincoln's autopsy reports, oil painting of Dred Scott

London's National Gallery and Birmingham's Barber Institute swap masterpieces

Between land and sea: The extraordinary bestiary of the Roman mosaic of Lod on view at The Louvre

First edition Phillip Otto Runge prints come to the Getty Research Institute in Los Angeles

Alabama's Centre for the Living Arts exhibition examines future possibilities for the Gulf Coast

Late Surrealism: Exhibition at the Menil Collection revisits a pivotal moment in 20th century art

Sotheby's to offer a first edition of The Great Gatsby among other Fitzgerald material

Sotheby's London Sale of 19th Century European Paintings brings total of $10.5 million

Pat Steir creates new work for National Academy exhibition

Bonhams smashes record for Ben Enwonwu, one of Africa's leading artists

Alexander Calder brooch may bring $30,000 in Heritage Auctions' Signature Silver Event

Steven Sebring's Revolution opens at the 69th Regiment Armory

What is Contemporary? Group exhibition of Contemporary photography and works of art from the past

Yorkshire Sculpture Park plans to rescue historic building

Contemporary spin on ancient art in Rome exhibition

Early Spider-Man original art and first comic top $4+ million auction at Heritage

Morphy's auction a mix of antique advertising, coin-op machines and occupational shaving mugs

Most Popular Last Seven Days

1.- Holocaust 'masterpiece' causes uproar at Venice film festival

2.- To be unveiled at Sotheby's: One of the greatest collections of Orientalist paintings ever assembled

3.- Bender Gallery features paintings by up and coming Chicago artist Michael Hedges

4.- Lévy Gorvy exhibits new and historic works by French master in his centenary year

5.- Artificial Intelligence as good as Mahler? Austrian orchestra performs symphony with twist

6.- Fascinating new exhibition explores enduring artistic bond between Scotland and Italy

7.- Exhibition explores the process of Japanese-style woodblock production

8.- Robert Frank, photographer of America's underbelly, dead at 94

9.- The truth behind the legend of patriot Paul Revere revealed in a new exhibition at New-York Historical Society

10.- Hitler bust found in cellar of French Senate

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful