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The Independent Group: Parallel of Art & Life at the Institute of Contemporary Arts
The Independent Group met at the original ICA in Dover Street from 1952-5 and comprised architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; artists Magda Cordell, Richard Hamilton, Nigel Henderson, John McHale, Eduardo Paolozzi and William Turnbull; music producer Frank Cordell and writers Lawrence Alloway, Reyner Banham and Toni del Renzio. Celebrated today as the so-called Fathers of Pop, the Group worked with art, science, technology and popular culture. From horror films to theories of evolution, modern architecture to Marilyn Monroe, this group project worked beyond traditional boundaries and conventional disciplinary areas.
LONDON.- The ICA presents original art works by the Independent Group to coincide with the 60th anniversary of the ground-breaking exhibition Parallel of Life & Art.

The Independent Group met at the original ICA in Dover Street from 1952-5 and comprised architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; artists Magda Cordell, Richard Hamilton, Nigel Henderson, John McHale, Eduardo Paolozzi and William Turnbull; music producer Frank Cordell and writers Lawrence Alloway, Reyner Banham and Toni del Renzio. Celebrated today as the so-called Fathers of Pop, the Group worked with art, science, technology and popular culture. From horror films to theories of evolution, modern architecture to Marilyn Monroe, this group project worked beyond traditional boundaries and conventional disciplinary areas.

The exhibitions organised by the group – Growth & Form; Tomorrow’s Furniture; Parallel of Life & Art; Man, Machine & Motion and sections of This is Tomorrow – were highly innovative, both in terms of layout and the range of objects displayed. Building on the ICA’s Surrealist legacy, the Independent Group shows introduced the new age of modernity and mass culture to the gallery space. Reflecting the Group’s collage mentality, new technology and high end design were juxtaposed with avant-garde art.

Unlike other London venues, ‘none provided a foyer, a hearth which the artists and his audience can gather in unanimity, in fellowship, in mutual understanding and inspiration’ stated Herbert Read in the exhibition catalogue 40 Years of Modern Art. Even before the Group was assembled by Assistant Director Dorothy Morland, members gravitated to the ICA as the only place to see and discuss modern art and modern culture. Hamilton, Paolozzi and Turnbull exhibited at the Dover Street inaugural exhibition, 1950: Aspects of British Art and continued their involvement throughout the 1950s and 1960s, curating a wide range of public exhibitions and events, underpinned by clandes tine discussions and gatherings.

The ICA exhibition includes paintings, drawings and photographs by John McHale, Magda Cordell, Nigel Henderson, Eduardo Paolozzi and Richard Hamilton, alongside related designed objects and ephemera from the Independent Group. Evoking the ICA’s original home in Dover Street in the 1950s, the exhibition has been designed to give viewers a sense of ‘The Home of the Avant Garde’ which first attracted this collection of creative practitioners.





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