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First institutional solo exhibition by the Cuban artist Adrian Melis opens at Kunsthalle Basel
378.890sqm planned, 2012. Installation view/ Model made of wood and PVC, (+ vinyls). Courtesy der Künstler/ courtesy the artist.

BASEL.- Kunsthalle Basel presents The Value of Absence, the first institutional solo exhibition by the Cuban artist Adrian Melis.

The main subjects in the works by the Havana-born artist, who has been based in Bar-celona since 2010, are workers without work, both in the socialist and capitalist econ-omy. It is they who make possible Melis’ work as an artist. Melis’ early projects have been concerned with the working conditions and the employees’ slack attitude to-wards work in the state-run enterprises in Cuba. A lack of motivation and indifference towards work tasks are common symptoms indicating the lack or loss of identification with a given political and economic system. Normally, such identification depends on the personal commitment of an individual, involving a belief in or acceptance of the ideology supporting that system. The general non-productivity, which is typical in many of Cuba’s factories, becomes the starting point for Melis’ observations, leading to his involvement in the “co-production” of paradoxical situations and activities that tap into the workers’ regular daily routines. This part of his work involves negotiation of forms of the workers’ participation as performers or providers of specific services or products. In exhibitions, Melis shows the results of his investigation of labour as vid-eos, photographs, or installations. Various forms of complicity and clandestine alliance amongst the workers – at times also involving the artist - play an important part in these projects in which manifestations of nonconformity occur as soft opposition to administrative, institutional opportunism.

Thus, in his Production Plan of Dreams for State-run Companies in Cuba (2010-2012), the artist asked workers in Cuban companies, which he describes as “especially sus-ceptible to deficient productivity”, to write down their dreams which they “produced” when falling asleep during working hours. Together with a series of photographs documenting the project and its protagonists, the texts and drawings of the workers are contained in small wooden boxes and displayed as an archive. The workers, who in their official, actual employment are unproductive, become active as dreamers and as a result contribute to another, artist-organised form of production.

In more recent projects, Melis engages with the current financial and economic situa-tion in Spain. Here, the focus is on the bare existential meaning of work as source of income in the neo-liberal economies in Europe. For the installation The Best Effort (2013), which will be on view for the first time at Kunsthalle Basel, the artist has initi-ated an advertising campaign in Spain for a job in Switzerland. Each incoming call from a job seeker to a telephone number given by Melis will result in an excerpt from a speech by Spain’s Prime Minister Mariano Rajoy being played back in the exhibition space. The Prime Minister gave this speech on the 4th of November 2012, announcing the creation of 5 million new jobs.

In The Value of Absence, Adrian Melis, who in 2011 participated in the two subsequent group exhibitions How to Work and How to Work (More for) Less at Kunsthalle Basel, explores two opposing economic systems, and their drastic differences in the social value of work. While the projects in the first part of the exhibition investigate the meaning of work in the state-run companies of Cuba, where work is considered little more than a pastime, the artist’s projects evolving around the problem of unemploy-ment in Spain highlight the connection between the economic and the symbolic value of work, while putting an emphasis on the dramatic consequences of the lack of work for any human being.

Adrian Melis, (*1985 in Havanna, Cuba) lives and works in Barcelona, Spain. From 2005-2010 he studied at the Instituto de Arte (I.S.A.) in Cuba and graduated with the Graduadto de la Catedra de Arte Conducta with Tania Bruguera in 2009. In 2006 Melis was awarded with the Bueno, Bonito y barato, a curatorial prize awarded by theAgencia Española de Cooperación Internacional, Embassy of Spain in Cuba. In 2012 Adrian Melis was awarded with the GAC Award presented in the Museu d’Art Contemporani for the best exhibition of a young artist.

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