The French Academy in Rome Villa Medici
presents the exhibition Soulages XXIst Century from March 2 to June 16, 2013. The first personal exhibition in Italy dedicated to the greatest living French painter, it presents a vast selection of paintings on canvas and paper created since 2000.
The exhibition entitled Soulages XXIst Century, organized by the French Academy in Rome Villa Medici and the Lyons Musée des Beaux-Arts, highlights how this master, considered to be the greatest representative of French abstraction and who has been internationally recognized since the early 1940s, is also truly a contemporary artist. At over 92, he still continues his in-depth investigation of abstract painting, exploring new possibilities stemming from the demanding premises on which he has based his practice since the very beginning of his activity as a painter.
Since his 1948 tar paintings on glass one will be shown in the exhibition as a historical benchmark Soulages has proven that painting, yet more than colour, can be a way to enhance light and space. It is not without reason that he maintained fruitful and friendly relationships with artists such as Mark Rothko and Lucio Fontana in the 1950s. In 1979, he opened a new period, self-penned outrenoir (blackbeyond, i.e. the idea of using black to reveal and organize light), and has since then presented every possible nuance of colour and light only through the use of black, spread over the canvas, yet diversified by the effects of the surfaces. Between 1999 and 2000, after a break of several years, he resumed painting on canvas, opening a new period characterized by a highly varied experimentation. Willing to assert what had only existed marginally before, he started creating families of paintings, which he still explores, more than ten years later: paintings where white is present, paintings which juxtapose smooth and rough surfaces, paintings made from multiplied discrete marks, collages, paintings based on diverse tonalities of black. The works of Soulages are present in the most important exhibitions and collections in the world, and he is widely considered the greatest contemporary French painter. The Centre Pompidou in Paris dedicated an important retrospective exhibition to him in 2009, which was later shown at the Museo Ciudad de Mexico and the Martin Gropius Bau in Berlin.
The exhibition Soulages XXIst Century, at Villa Medici, from March 2 to June 16, 2013, will concentrate on the most recent developments of his work, presenting an important selection of paintings, chosen together with the artist by its two curators: Éric de Chassey, director of the French Academy in Rome Villa Medici, and Sylvie Ramond, director of the Musée des Beaux-Arts in Lyons.
In the catalogue, Éric de Chassey writes: We have become used to considering Pierre Soulages one of the last great classical artists. It is true that his paintings are occasionally characterized by their balance and harmony, and a form of perfection, that create a sense of serenity and fulfilment in the viewer which is the cipher of classicism, if not of a certain Atticism. [...] He continues: Neither classicism nor his link to a certain tradition are goals that Soulages has deliberately pursued; rather, they are, on the one hand, the result of the fact that his work has by now been developing over decades and that therefore it has ended up seeming to us to be historical, while on the other hand, the moments of resolution that his art seems to achieve are merely temporary moments, immediately undone and relaunched. This is the reason why Pierre Soulages is a modernist artist. He was a modernist at the beginning of his career, immediately after World War II, when modernism was the mainstream of the art world . He still is today, when many say that we are all fall under the postmodern condition.
Chassey concludes: Soulages recent paintings has not fallen asleep, resting on his mastery, but continues to explore the territories of experimentation. Nothing is ever gained once and for all. Each painting is a new experience. More than anything else, the experiencing of each painting is a new experience in itself. [...] Considering that art entertains a modelling relationship with reality, that abstract art does not take external reality as a model but, on the contrary, that it models our relationship with the world in a condensed way, that it suggests and depicts new dispositions that we can later carry into our everyday lives, is it really necessary to emphasize how vital the art of Pierre Soulages continues to be ?