Widely acknowledged as an artist who defined his era, Mike Kelley (19542012) created a stunning and protean legacy that encompasses painting, sculpture, works on paper, installation, performance, music, video, photography, collaborative works and critical texts. In the largest exhibition of his work ever organizedand the first comprehensive survey attempted since 1993the Stedelijk Museum Amsterdam
presentation of Mike Kelley will bring together over 200 works, spanning the artists 35-year career, on view December 15, 2012, through April 1, 2013.
The first major international traveling exhibition to be organized and presented by the Stedelijk since its expansion and renovation, Mike Kelley will subsequently travel to the Centre Pompidou, Paris (May 2August 5, 2013), MoMA PS1, New York (October 7, 2013January 5, 2014) and the Museum of Contemporary Art, Los Angeles (MarchJune 2014, exact dates to be confirmed).
Mike Kelley is organized by Ann Goldstein, Director of the Stedelijk Museum, in cooperation with the Mike Kelley Foundation for the Arts.
The curator of the first exhibition concept is Dr. Eva Meyer-Hermann. The exhibition took on a new significance following the artists tragic death in early 2012. After Mike Kelleys death, his remarkable oeuvre was suddenly complete, and so this exhibition, which was being planned with his direct participation, became a retrospective in the full sense of the word, Ann Goldstein stated. We now have the responsibility to begin to think about his voluminous, wide-ranging, generative accomplishments as a completed body of work. I know that the process of discovery and reconsideration that we begin at the Stedelijk will surely be taken up by other curators, historians and institutions, extending far into the future.
Organized chronologically for the most part, Mike Kelley will fill virtually all of the 1792-square-meter (19.289-square-foot) temporary exhibition space in the new building of the expanded Stedelijk Museum. The exhibition will constitute an overview of the artists work from the mid-1970s until shortly before his death, allowing visitors to understand and appreciate the full scope of his achievements.
Mike Kelley's brilliance was rooted in his ability to dig critically into a world of cultural productions, representations, and constructions in all their messy contradictions, using a combination of incisive wit, poetic insight and uncanny associative power, Ann Goldstein commented. Nothing is sacrosanct in his worknot so-called high culture, history, literature, music, philosophy, psychology, religion or education. In bringing together his interest in so-called low culturefrom crafts to comic stripswith a reconsideration of identity and sexuality, he was nothing less than revelatory.