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First U.S. Viewing of "The Jameel Prize: Art Inspired by Islamic Tradition" opens at Stanford
Monir Farmanfarmaian, Birds of Paradise, 2008. Mirror mosaic and reverse glass painting. 70 7⁄8” x 50 51⁄64” each. Courtesy of Rose Issa Projects Photo: V&A Images.
STANFORD, CA.- On view for the first time in the United States, “The Jameel Prize: Art Inspired by Islamic Tradition” opens December 12 at Stanford University’s Cantor Arts Center. This special exhibition presents the work of 10 artists selected as finalists for the prestigious Jameel Prize, an international award bestowed by the Victoria and Albert Museum in London and sponsored by Abdul Latif Jameel Community Initiatives.

The Jameel Prize, awarded for contemporary art and design inspired by Islamic tradition, encourages the exploration of long-established practices of Islamic art, craft and design within a contemporary framework. The resulting exhibition demonstrates that artists can and do use these traditions in ways that are vividly relevant to the contemporary world. The prize also fosters a wider debate about Islamic culture and its role today.

The Jameel Prize is truly international. Awarded every two years, it is open to all entrants and not restricted to Muslims or those from the Islamic world. Entry for the Jameel Prize is by nomination. For the 2011 Jameel Prize, the names of almost 200 artists and designers were put forward from countries as diverse as the United States, Spain, Nigeria, Egypt and Pakistan. From this list, 10 finalists were selected, with one chosen as a winner for a prize of 25,000 British pounds, or approximately 35,800 U.S. dollars.

This exhibition presents art by all 10 finalists, more than 20 works that draw on the artists’ and designers’ own local and regional traditions, celebrating particular materials and iconography with strong references to traditional Islamic art. The artworks on view range from felt costumes to sculptural installations made from handmade terracotta bricks, from mirror mosaic to digital collages inspired by classical Persian miniature paintings. In many of the pieces, there is an underlying reference to the artists’ own “hybrid” cultural identity, in addition to the contrast between old and new, minimalism and ornament, home and exile.

The finalists are culturally diverse, representing many countries. The youngest artist, Noor Ali Chagani, was born in Pakistan, and he lives in Lahore. Monir Shahroudy Farmanfarmaian, who has works in the collection of the Metropolitan Museum of Art, New York, was born in Iran but spent many years in the United States; she currently lives in Tehran. Bita Ghezelayagh, born in Italy, now lives in London and Tehran. Babak Golkar, born in the United States, now lives in Canada. Hayv Kahraman, born in Iraq, now lives in the San Francisco Bay Area. Rachid Koraïchi, born in Algeria, now lives in Tunisia and France. Hazem EI Mestikawy, born in Egypt, lives in Egypt and Austria. Hadieh Shafie, born in Iran, lives in the United States. Soody Sharifi, born in Iran, lives in the United States. (See artists’ bios below.)

Rachid Koraïchi won the Jameel Prize 2011 for his series of embroidered cloth banners entitled “Les Maitres invisibles” (“The Invisible Masters”), made in 2008. Koraïchi uses Arabic calligraphy and symbols and ciphers from a range of other languages and cultures to explore the lives and legacies of the 14 great mystics of Islam. These “masters” include great Muslim thinkers and poets such as Rumi and EI Arabi, whose teachings have spread even to the West.

The exhibition continues to March 10, on view in three spaces at the Cantor Arts Center. Koraïchi’s banners hang prominently from the Geballe Family Balcony, over the Cantor’s main lobby. The other works are presented upstairs in the Ruth Levison Halperin Gallery and the Lynn Krywick Gibbons Gallery.



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