The First Art Newspaper on the Net Established in 1996 United States Tuesday, July 22, 2014


Pace Gallery in London opens Rothko/Sugimoto: Dark Paintings and Seascapes
Installation view of Rothko/Sugimoto: Dark Paintings and Seascapes, Pace London, 6 Burlington Gardens, London, October 4 through November 17, 2012 © 1998 Kate Rothko Prizel and Christopher Rothko / Artist Rights Society, New York (ARS). Courtesy Pace Gallery© Hiroshi Sugimoto, courtesy Pace Gallery. Photography courtesy Pace London.
LONDON.- Following its recent announcement of plans to open a major gallery in Mayfair, Pace London presents Rothko/Sugimoto: Dark Paintings and Seascapes at 6 Burlington Gardens from 4 October through 17 November 2012. The inaugural exhibition juxtaposes Mark Rothko's late black and grey paintings with Hiroshi Sugimoto’s contemporary photographs of bodies of water. The exhibition marks the first private gallery presentation of Rothko’s work in London in nearly fifty years and continues Pace’s five-decade tradition of exhibitions that explore affinities between artists working across decades and mediums.

Dark Paintings and Seascapes pairs eight acrylic paintings by Rothko and eight gelatin silver prints by Sugimoto, revealing two different artistic approaches that arrive at similar conclusions. Rothko's use of medium as pure abstraction communes with the work of Hiroshi Sugimoto who, decades later, used the medium itself to reconsider photography's relationship to his viewers’ perception of the world. In addition to exploring the visual dialogue between Rothko’s dark paintings and Sugimoto’s photographs—both characterized by a binary format of black and grey rectangular elements—the pairings mine the philosophical affinities between the two artists, each offering a meditation on universal and cosmological concerns.

The exhibition is accompanied by a catalogue by Richard Shiff, the Effie Marie Cain Regents Chair in Art and director of the Center for the Study of Modernism at the University of Texas at Austin. “Rothko and Sugimoto think in terms of eras of history and eons of organic life, not the decades of their own lives,” Shiff writes. “Rothko had directed his art, as Sugimoto does now, to a primal, evolutionary sense of being human. What is true of Rothko and Sugimoto becomes true of all of us when we attend to their experience—if we encounter the limits of human feeling and perception that Rothko’s paintings and Sugimoto’s photographs represent. We then recognize the condition that already constitutes our living … Immersed in an artist’s sea of light—this aesthetic entry into nature, history, and other beings—we become aware of our conscious awareness.”

The concept for the exhibition originated in 2010, when Hiroshi Sugimoto joined Pace and was introduced to Christopher Rothko, the son of Mark Rothko. Pace has worked with the Rothko family since 1978 and has presented ten exhibitions devoted to the history of the artist’s work.

In preparation for the exhibition, Sugimoto reflected, “For several decades I have created seascapes. Not depicting the world in photographs, I’d like to think, but rather projecting my internal seascapes onto the canvas of the world. Skies now forming bright rectangles, water now melting into dark fluid rectangles. I sometimes think I see a dark horizon cutting across Mark Rothko’s paintings. It’s then I unconsciously realize that paintings are more truthful than photographs and photographs are more illusory than paintings.”

Painted a year before his death, Rothko’s dark paintings of 1969 represented the first radical break from his signature form in over two decades. He abandoned both the orchestral range and shimmering banks of colour that had defined his earlier work, reducing each painting to two distinct rectangles, one dark and one lighter. Though Rothko had engaged with darkness before—notably in the Seagram paintings of 1958–59 and the commission for the Chapel at the Menil Collection in Houston from 1964–67—in the late work he limited his palette to black and grey, with traces of dark brown, maroon, and blue visible. The paintings are surrounded by a white margin, unique to this series, that isolates the field and emphasizes its flatness.

Though sombre and even elegiac in colour and mood, the dark works relate less to any personal tragedy in Rothko’s life, and more to eternal and depersonalized metaphysical questions. As the critic Brian O’Doherty wrote in his 1985 catalogue essay for Pace’s exhibition of Rothko’s late paintings, “The works contracted to windows of some original darkness.”

Sugimoto’s Seascapes (begun in 1980) depict bodies of water from the English Channel to the Bay of Sagami, each photographed in the same stark composition of a horizon line dividing the sky and sea. Divided into two rectangles—one dark, one light—the relationship between sea and sky takes on an almost abstract geometry that carries from image to image and ocean to ocean around the world. Like Rothko, Sugimoto conveys a startling range of emotions within a limited vocabulary of black and white tones and a fixed format. Focusing on water and air—the substances that gave rise to life—the works evoke primordial seas and the origins of human consciousness.

Rothko/Sugimoto extends Pace’s ongoing series of two-artist exhibitions that initiate dialogues between artists working across time periods, geography, and mediums, following such significant exhibitions as de Kooning/Dubuffet: The Women (1990); Mondrian/Reinhardt: Influence and Affinity (1997); Bonnard/Rothko: Color and Light (1997); Willem de Kooning and John Chamberlain: Influence and Transformation (2001); Dubuffet and Basquiat: Personal Histories (2006); Josef Albers/Donald Judd: Color and Form (2007); and Ad Reinhardt and Tony Smith: A Dialogue (2008–9).

Mark Rothko (1903–1970) was born in Dvinsk, Russia and immigrated to the United States in 1913. Widely considered one of the most important artists of the twentieth century, he studied painting at Yale University from 1921–23, and in 1969 was awarded an Honorary Doctorate of Fine Arts from the school. Rothko has been the subject of six major surveys and retrospectives: the National Gallery of Art, Washington, D.C. (1998), which traveled to the Whitney Museum of American Art, New York, and the Musée d’Art Moderne de la Ville de Paris; the Kawamura Memorial Art Museum, Japan, which traveled to three museums in Japan (1995–96); the Tate Gallery, London, which traveled to Museum Ludwig, Cologne (1987–88); the Solomon R. Guggenheim Museum, New York (1978–79); and two exhibitions at The Museum of Modern Art, New York (1970 and 1961), with the 1961 retrospective travelling to London, Amsterdam, Basel, Rome, and Paris. Rothko’s work is held in the collections of museums including the Art Institute of Chicago; the Guggenheim Museum Bilbao, Spain; Louisiana Museum of Modern Art, Humlebaek, Denmark; The Menil Collection, Houston; The Metropolitan Museum of Art, New York; Museo Nacional Centro de Arte Reina Sofia, Madrid; The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; the Stedelijk Museum, Amsterdam; the Tate Gallery, London; and the Whitney Museum of American Art, New York.

Hiroshi Sugimoto (born 1948, Tokyo) has lived and worked in New York City since 1974. Preserving and picturing memory and time is a central theme of Sugimoto’s photography, including the ongoing series Dioramas (1976– ), Theaters (1978– ), and Seascapes (1980– ). The Hirshhorn Museum and Sculpture Garden, Washington, D.C., and the Mori Art Museum, Tokyo, jointly organized a retrospective of the artist’s work that travelled to the Modern Art Museum of Fort Worth, Texas; de Young museum, Fine Arts Museums of San Francisco; K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Museum der Moderne, Salzburg; Neue Nationalgalerie, Staatliche Museen zu Berlin; and Kunstmuseum Luzern, Switzerland (2006–2009). Sugimoto has been the subject of solo exhibitions at The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; Contemporary Arts Museum, Houston; Museum of Contemporary Art Chicago; and Hara Museum of Contemporary Art, Tokyo, among others. In 2005, the Japan Society, New York, and Arthur M. Sackler Gallery, Washington, D.C., organized a North-American tour of Hiroshi Sugimoto: History of History, an exhibition curated by Sugimoto of his own personal collection of antiquities, which travelled to the Kanazawa 21st Century Museum of Contemporary Art and the National Museum of Art, Japan. Sugimoto has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts and is the recipient of the Praemium Imperiale Award (2009, 2010), the Hasselblad Foundation International Award in Photography (2001), and the International Center of Photography’s 15th Annual Infinity Award for Art, New York (1999). His work is held in numerous public collections including The Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; Musée national d’Art Moderne, Centre Georges Pompidou, Paris; Museum of Contemporary Art, Tokyo; The Museum of Modern Art, New York; The National Gallery, London; The National Museum of Modern Art, Tokyo; Smithsonian Institute of Art, Washington, D.C., and Tate Gallery, London.



Today's News

October 15, 2012

Museum Boijmans Van Beuningen exhibits more than 80 masterpieces by artists around 1400

Pace Gallery in London opens Rothko/Sugimoto: Dark Paintings and Seascapes

The Morgan hosts exhibition of master drawings from Munich's Staatliche Graphische Sammlung

"Mouton De Laine" from the collection of Adelaide de Menil and Edmund S. Carpenter to be offered at Christie's

Old master portraits open windows into the lives of African individuals from all levels of European society

Van Cleef & Arpels presents a new, more contemporary, interpretation of The Pierre Arpels watch

Exhibition devoted to Isamu Noguchi's tools, techniques, and studio practice opens

American artist Romare Bearden's "Black Odyssey" debuts at Reynolda House Museum of American Art

The Sainsbury Laboratory in Cambridge by Stanton Williams wins the RIBA Stirling Prize 2012

Dallas Museum of Art presents "Posters of Paris: Toulouse-Lautrec and His Contemporaries"

Ends of the Earth: Land art from the 1960s to 1974 on view at Haus der Kunst in Munich

"Edouard Baldus and the Modern Landscape" opens at James Hyman Gallery in London

Dartmouth expands public art initiatives with major installation by projection artist Ross Ashton

Innovative new architects' house in Peckham wins 2012 Stephen Lawrence Prize

Ronnie Landfield "Where it All Began": Exhibition at New York City's famed High School of Art and Design

The Path to Crystal Bridges: New exhibition showcases the work of architect Moshe Safdie

World-wide quest uncovers cross-cultural world's fairs art objects

Leslie-Lohman Museum of Gay and Lesbian Art appoints Hunter O'Hanian Museum Director

Yerba Buena Center for the Arts presents "The Parade: Nathalie Djurberg with Music by Hans Berg"

Moon rock brings $330,000 to lead $1,066,000+ meteorite event at Heritage Auctions

Most Popular Last Seven Days



1.- Archaeologists discover Roman 'free choice' cemetery in the 2,700-year-old ancient port of Rome

2.- Romanians must pay 18 million euros over Kunsthal Museum Rotterdam art heist

3.- Hello Kitty designer Yuko Yamaguchi defends cute character as cat turns 40 years old

4.- eBay and Sotheby's partner to bring world class art and collectibles to a global community

5.- Exhibition on Screen returns with new series of films bringing great art to big screens across the globe

6.- Marina Abramović reaches half way point of her '512 Hours' performance at the Serpentine Gallery

7.- The Phillips Collection in Washington introduces a uCurate app for curating on-the-go

8.- United States comic icon Archie Andrews dies saving openly gay character

9.- New feathered predatory fossil, unearthed in China, sheds light on dinosaur flight

10.- Exhibition at Thyssen Bornemisza Museum presents an analysis of the concept of the 'unfinished'



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Rmz. - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site