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An important private collection of 19th century sculpture leads Christie's Decorative Arts Sale
A centre table by Charles-Guillaume Diehl, which is a rediscovered addition to his catalogue of remarkable néo-grec style furniture, led by pieces shown at the at the 1867 Paris Exposition Universelle (estimate: £100,000 – 200,000. Photo: Christie's Images Ltd 2012.

LONDON.- The sale of The Opulent Eye - 500 Years: Decorative Arts Europe which will take place at Christie's on 20 September 2012 is led by an important private collection of 19th century marble sculpture. Comprising twenty lots the collection is expected to realise in excess of £400,000. The group focuses upon belle époque marble statuary and genre figures and was assembled by a discerning private collector, who was attracted to marble statuary by the skill of the sculptor in carving such intricately detailed and lifelike figures. Highlights of the collection include a Belgian art nouveau marble regulateur (estimate: £50,000 – 100,000). The marble long-case clock is attributed to the Symbolist sculptor Egide Rombaux (d.1942) and is carved in bas-relief with a figure of Atropos, one of three fates from Greek mythology who spin the thread of life, measure and cut it. The lifesize marble figure of a female nude by Jacques de Braekeleer (estimate: £40,000 – 60,000) is entitled `De Afwachting (The Expectation)' and is thought to depict a maiden waiting for her lover, a fisherman, to return from sea. Its pendent, depicting the fisherman’s wife, and known as `The Wait’, is in the Musées royaux des Beaux-Arts de Belgique. Characteristic of other pieces from the collection is the marble figure of a maiden sipping nector, or wood nymph, by Angelo Bertozzi, which is from the Romantic school of 19th century Italian sculpture (estimate: £30,000 – 50,000).

‘The Opulent Eye’ presents the very best furniture, sculpture, clocks and porcelain from the 19th Century; comprising 240 lots, it is expected to realise in excess of £3 million. The only auction sale in Europe devoted to furniture and works of art from the 19th century; it showcases the opulent and eclectic response of the decorative arts to this century of unprecedented change. Highlights include a centre table by Charles-Guillaume Diehl, which is a rediscovered addition to his catalogue of remarkable néo-grec style furniture, led by pieces shown at the at the 1867 Paris Exposition Universelle (estimate: £100,000 – 200,000). Similarly prized pieces are today in the collections of the Musée d'Orsay, Paris, and Metropolitan Museum of Art, New York. Diehl’s unique style blends classical ornament, such as the Grecian hermai busts to the legs, with highly stylised motifs such as the roaring Corinthian mask to the frieze.

Also on offer is an Important French ‘Japonisme’ cloisonné enamel, gilt and patinated bronze jardinière-on-stand by Christofle et Cie (estimate: £60,000 – 100,000). This jardinière epitomizes the ‘style Japonais’ which referred to a resurgence of Western interest in the art of Japan and China from the 1860s. The resurgence was driven by the colonisation of East Asia and the export of Japanese works of art following the Meiji restoration and found manifestation most completely in Empress Eugènie’s musée Chinois at Fontainebleau. In the West, contact with quality Asian works of art led designers and makers to study their forms and techniques, and inspired them to produce works of art using the stylized vocabulary and balanced asymmetry of the Far East.

This monumental pair of ormolu-mounted white and red marble herm figures come from an Australian Family Collection (estimate: £150,000 – 250,000). Their iconography is derived from the moschophoros ("calf-bearer") figure of Greek antiquity. They are of French manufacture and date to the late 19th century when the composition lent itself naturally to the fashion for sculptural figures supporting candelabra or torchères.

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