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The Search for Immortality: Tomb Treasures of Han China opens at the Fitzwilliam Museum
Jade Suit, 2nd century BC, Western Han Dynasty. Length: 175 cm; Width: 68 cm. Unearthed at Shizishan in 1994-1995. Xuzhou Museum, Jiangsu Province.
CAMBRIDGE.- In the first exhibition of its kind, the Fitzwilliam Museum relates the story of the quest for immortality and struggle for imperial legitimacy in ancient China’s Han Dynasty. The Search for Immortality: Tomb Treasures of Han China features over 300 treasures in jade, gold, silver, bronze and ceramics in the most important exhibition of ancient royal treasures ever to travel outside China.

The Han Dynasty established the basis for unified rule of China up to the present day. To maintain this hard-won empire the Han emperors had to engage in a constant struggle for power and legitimacy, with contests that took place on symbolic battlefields as much as on real ones. While written accounts provide an outline of these events, it is through the stunning archaeological discoveries of recent decades that the full drama and spectacle of this critical episode in Chinese history has been brought to life.

Dr Timothy Potts, Director of the Fitzwilliam Museum, commented: “It is impossible to overstate the importance of the Han Dynasty in the formation of a Chinese national culture and identity. At the time of the ancient Romans, the Han emperors were the first to unify a large part of the regions we now know as China under a sustained empire, which they ruled virtually unchallenged for 400 years. The Han Dynasty gave its name to the Chinese language, its script and the vast majority of the Chinese people. It was arguably the defining period of China’s history and the point of genesis for the China of today. The spectacular objects in this exhibition bring to Cambridge the finest treasures from the tombs of the Han royal family, the superb goldwork, jades and other exquisitely crafted offerings the kings chose to be buried with on their journey to the afterlife. For their artistry, refinement and pure beauty they rival anything from the ancient world.”

This pioneering exhibition compares the spectacular tombs of two rival power factions: the Han imperial family in the northern ‘cradle’ of Chinese history, and the Kingdom of Nanyue in the south, whose capital in modern-day Guangzhou formed the gateway to the rich trade routes of the China Sea and Indian Ocean. Objects from these tombs have never before been displayed together as a single exhibition. Through the exhibition it is revealed how, in both life and in death, Empire and Kingdom played a diplomatic game of cat and mouse, one to assert its supremacy, the other to preserve its autonomy.

Protected by clay guardians and surrounded by jade and gold, the monarchs’ tombs were palaces fit for immortals. Each tomb was a symbol of power and majesty, designed to ensure that its owner continued to enjoy in the afterlife the same comforts and privileges afforded to them in life. In showing these two tombs together, The Search for Immortality sheds new light on a critical period of China’s early history. The exhibition will only be seen in Cambridge.

Curator of the exhibition, Dr James Lin, commented: “It is immensely exciting that we are able to compare these unique discoveries from two rival kingdoms for the first time in Cambridge, as the archaeology allows us to tell a story that textual evidence simply does not reveal. It is known from written records that the first Han Emperor and the first King of Nanyue vied with each other for power and legitimacy in southern China; this exhibition shows how the struggle to be known as ‘emperor’ in the southern borderlands continued into the second generation of the Nanyue kingdom, an episode mostly passed over in the historical chronicles. Through a direct comparison of the tomb treasures from the Han imperial family with those of the second king of Nanyue, Zhao Mo, the exhibition shows how the latter’s funerary splendour continued to be styled on that of the Han heartland, often reaching the same level of exquisite artistry. This provides a new perspective on the Han period and how the imperial family continued to exert its influence, through both arms and art, to maintain control of their vast empire.”

The most powerful empire of the ancient world
Founded in 206 BC, the Han Dynasty followed the collapse and disintegration of the Qin Empire, which had been established only fifteen years earlier by China’s First Emperor, Qinshihuangdi. Except for a brief interruption in 9-25 AD, the Han emperors were to rule much of China for the next 400 years until 220 AD.

Contemporaneous with the late republic and early Roman Empire, the Han is considered the ‘classical’ period of Chinese history and, at the time of the birth of Christ, was as great in population and power as the Romans. It saw the emergence of cultural values, ideologies and institutions which have remained central to Chinese identity ever since. During this period Confucianism, with its emphasis on loyalty to family and to the Emperor, was first adopted as the official ideology. It was also then that rigorous state examinations for selecting civil servants on the basis of merit rather than hereditary status were first introduced. In China today ‘Han’ is often used interchangeably with ‘Chinese’: the language is referred to as the Han language – Hanyu; Chinese script as Han writing – Hanzi; and over 90% of Chinese nationals regard themselves as Han Chinese – Hanren.

Rival kings
Zhao Tuo, a former commander in the army of the First Emperor, established the independent state of Nanyue in 204 BC. Its capital Panyu is modern-day Guangzhou (Canton) and was then, as now, a busy commercial port and an eastern terminus of the ancient maritime Silk Route.

In 196 BC Emperor Gaozu, founder of the Han Dynasty, sent an envoy demanding that Nanyue founding king, Zhao Tuo, submit to his authority. Zhao Tuo agreed and Nanyue was granted formal status as a vassal state of the Han Empire. Yet only a year later, having gained the allegiance of two neighbouring states, Zhao Tuo declared himself Emperor. After two years of conflict, Zhao Tuo once more ‘submitted’ to the Han ruler, though both he and his successors continued to style themselves ‘Emperor’ at home, using the lesser title of ‘King’ only in their dealings with the Han court.

The exhibition compares the tomb of Zhao Mo, Zhao Tuo’s grandson and successor from the Southern Nanyue kingdom, with the astonishing finds from three of the major northern Han tombs of the kings of Chu, a branch of the imperial family that had been granted this kingdom by the emperor. This is the first time such a comparison of the splendour and treasures of these two sets of rival tombs has been made.

Tomb treasures
The exhibition reflects the layout of the funerary goods within the tombs, giving a sense of what it would have been like to walk through one of these tombs for the first time: being met by tomb guardians, progressing into the principal chambers with pottery servants, musical instruments and other treasures, and finally coming upon the inner sanctum with the burials of the kings themselves.

Highlights include:

• two jade burial armour suits belonging to the rival rulers, painstakingly made from thousands of plaques of jade, sewn together with gold or silk thread

• lavish burial furnishings in jade thought to ward off demons or to serve the emperor in the afterlife, such as a jade cup to catch the morning dew that ensured immortality

• spectacular objects in gold, including imperial seals and exotically decorated belt buckles

• pottery soldiers and bronze weapons

• pottery dancers, musicians and servants

• unusual artefacts including a toilet and an early ginger grater.





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