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Artifacts from the ancient city of Morgantina in central Sicily go on view at the Getty Villa
Unknown, Curse Tablet, about 100 B.C. Lead. 3 11/16 x 1 13/16 in. Museo Archeologico Regionale of Aidone.

LOS ANGELES, CA.- A selection of 37 objects excavated from the sanctuaries of the ancient city of Morgantina in central Sicily are on display at the Getty Villa in the exhibition The Sanctuaries of Demeter and Persephone at Morgantina. On loan from the Museo Archeologico Regionale of Aidone until January 21, 2013, these works include terracotta figures of deities, vases and oil lamps, a lead curse tablet, and bone clothing and hair pins, and are installed in a gallery devoted to images of gods and goddesses (Gallery 104).

The artifacts are showcased in a special installation focusing on the worship of the goddesses of agricultural fertility, Demeter and Persephone, in Sicily. Persephone’s abduction by Hades, a myth that provided the ancients with a divine explanation for the changing of the seasons, was believed to have taken place in Sicily at Lake Pergusa, not far from Morgantina; consequently, these divinities were especially venerated across the island, which was renowned throughout antiquity as a “breadbasket” of abundant cereal crops. Complementing the loans, images of Demeter (known to the Romans as Ceres), Persephone, and Hades from the Getty’s antiquities collection are on view in the same gallery, and illustrate the deities in Greek and Roman myth and art.

All discovered in the sanctuaries of Morgantina and dating from the 4th to the 2nd centuries B.C., these objects demonstrate the wide range of items that were considered appropriate dedications to the gods—from simple undecorated clay lamps used in nocturnal rituals, to brightly painted (and originally bejeweled) terracotta busts depicting Persephone herself. Even modest personal ornaments such as hair pins were part of the practice of visiting a sanctuary and making an offering to the deity worshipped there. Some dedications served a less spiritual impulse. One individual deposited an inscribed lead curse tablet that calls upon the gods of the Underworld to send a slave named Venusta to the realm of the dead—in other words, for her to go to hell.

Morgantina is located in the fertile hills of central Sicily, near present-day Aidone. The remains of the ancient town have been under excavation by American and Italian archaeologists continuously since 1955. Visible there today are its sanctuaries, theater, public baths, houses, market, and granaries, which are among the best-preserved on the island. A wealth of finds, outstanding both in artistic quality and historical importance, has been unearthed from the town and surrounding cemeteries. As the site of a native Sikel village in the prehistoric period and of a later Greek settlement founded about 550 B.C., Morgantina witnesses how indigenous and colonial communities were integrated, and the role that religion can play in a multicultural society.

Before their installation at the Villa, certain objects were treated by the Museum’s Antiquities Conservation department, in particular a bust whose delicately painted decoration was obscured by encrustation. This recent cleaning more fully revealed a rare figural scene of dancing women, possibly representing a marriage celebration or Dionysian festivity. Getty conservators have also constructed new mounts for several of the objects.

“We are thrilled to have these unique objects from Morgantina—an excavation where generations of American archaeologists were trained—on view for the first time in the United States at the Getty Museum,” says Claire Lyons, acting senior curator of Antiquities at the J. Paul Getty Museum. “These loans represent the great benefits of collaboration, and help to share and preserve Sicily’s rich cultural heritage for future generations.”

“With this special exhibition, we are very excited to launch a new era of close collaboration between the Museum of Aidone, today part of the Archaeological Park of Morgantina, an ancillary institute of the Sicilian Ministry of Culture and Sicilian Identity, and the J. Paul Getty Museum,” remarked Enrico Caruso, Director of the Parco Archeologico di Morgantina. “Thanks to this initiative, our reciprocal relationship will emerge strengthened and will be continually renewed in future projects, for fruitful academic and especially cultural exchanges.”

This is the latest in a series of cooperative efforts between the Getty and the Sicilian Ministry of Culture and Sicilian Identity arising from a 2010 agreement that calls for a number of collaborative projects, including object conservation, seismic protection of collections, exhibitions, scholarly research, and conferences.

Previous loans include the Gela Krater, a monumental red-figure volute-krater (wine mixing vessel) attributed to the Niobid Painter, and The Agrigento Youth, a rare example of an early classical marble statue called a kouros, both of which are among the masterpieces of the Museo Archeologico Regionale of Agrigento.

Also part of the 2010 agreement, the Getty Museum will present the exhibition Sicily: Between Greece and Rome in spring 2013. Exploring innovations in the art, literature, and science of ancient Sicily between the 5th and 3rd centuries B.C., this exhibition will bring some sixty important loans to Los Angeles.

The Villa has hosted other high-profile loans as a result of its 2007 agreement with the Italian Ministry of Culture, including the exceptional 2008 exhibition of the Etruscan masterpiece The Chimaera of Arezzo from the Museo Archeologico Nazionale of Florence, and the long-term loan from the Museo Archeologico Nazionale of Naples of the extraordinary bronze Statue of an Ephebe as a Lampbearer, which is still on view at the Villa in the Basilica Gallery.

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