NEW YORK, NY.-
Some 180 examples of the very earliest works of Egyptian artcreated in the Predynastic and Early Dynastic periods, around 4400 B.C.2649 B.C. (the end of Dynasty 2) from throughout Egyptare featured in the exhibition The Dawn of Egyptian Art, at The Metropolitan Museum of Art
. Outstanding examples of sculpture, painting, and relief from the collections of the Metropolitan and 11 other museums in the United States and Europe have been gathered for this presentation.
Visitors who are familiar with the appearance of hieroglyphs and other later Egyptian artistic expressions will be surprised by these early works, which are very different in scale, style, and subject matter, commented exhibition organizer Diana Craig Patch. Yet, if we look closely at this early art, we can already detect the origins of certain signs in later hieroglyphic writing and of some symbols and concepts associated with ancient Egyptian rulers and the gods. The Predynastic and Early Dynastic period was a time of great creativity, before the typically Egyptian forms became codified. Yet, because of the rarity of these objects and lack of inscriptions, we cannot always explain what they meant to the early Egyptians.
The exhibition includes depictions of landscapes painted on vessels, objects in the form of different animalsgrouped by habitat (river, air, or desert)and humans. Certain groupings also reflect the important themes of fertility and renewal, and chaos versus order.
Animals occur frequently in early Egyptian art, and the exhibition is particularly rich in images of hippos and crocodiles, turtles, and fish; antelopes, cattle, elephants, baboons, lions, and canids (jackals and dogs); ostriches, ducks, and falcons; and scorpions and snakes. Probably because of certain attributions or characteristics, some animals grew in importance during this period, and they carried forward as symbols in later Egyptian culture, while others disappearbut possibly a few lessllPeriodtributions or characteristics, some, and fish; antelopes, aurochs, ducks and falcons, n Hendrickxed.
Depictions of humans are of two types: realistic figurines in bone or ivory that depict the entire human body; and abstracted forms in clay, mud, ivory, or stone in which the figures often lack arms, have missing or poorly formed legs, or have beak-like faces that emphasize the nose. All figurines have attributes that identify their gender clearly. Evidence indicates that some figurines were made to represent a specific activity and that their position in tombs was not arbitrary.