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Weserburg opens exhibition dedicated to the pioneer of Art Informel painting: Alfred Otto Wolfgang Schulze
Wols, Vascello all’ancora, um 1944/45, Tuschfeder und Aquarell auf Papier, © VG Bild-Kunst, Bonn 2012, Karin und Uwe Hollweg Sammlung.
BREMEN.- He is one of the most prominent artists of the 20th century, yet scarcely anyone knows his name. Art history views him as the pioneer of Art Informel painting, and yet the complexity of his artistic existence defies any categorization. In 1932, just nineteen years old, he leaves Germany to have his finger on the pulse of time in Paris. He gains access to bohemian circles there but continues to be a loner. For throughout his life he struggled for an existence beyond the middle-class, and in doing so not lastly slid into the vicissitudes of the National Socialist war against European culture.

Alfred Otto Wolfgang Schulze, who began calling himself WOLS in 1937, is one of the most colorful artist personalities of the last century. In close contact with the great artists and poets in 1930s Paris, he launched his artistic career as a self-taught artist with the medium of photography. During his photographic excursions he captures a different image of Paris by focusing on the small miracles, the remote, and the alien beyond the dazzling façades. When at the outset of World War II he, as a German in France, has to spend time in various detention camps, he begins to draw. He produces wondrous watercolors that delineate a bizarre, fantastic world of images of human existence. He develops the idea for an alternative artistic draft of the world—CIRCUS WOLS.

One of the most important collections of WOLS’s works is in Bremen, part of the private collection of Karin and Uwe Hollweg. This outstanding body of works, consisting of more than thirty works on paper from all of the artist’s creative periods and two paintings, are the focus of an extensive exhibition, supplemented by photographs by WOLS, curated by the artist Olaf Metzel, to whom the Weserburg devoted a large-scale solo exhibition last year. Works by WOLS are confronted with and placed alongside works by other prominent artists in an artistic dialogue. These include, among others, James Ensor, László Moholy-Nagy, Marcel Broodthaers, Philip Guston, and Cy Twombly, as well as contemporary artists such as Andreas Gursky, Sergej Jensen, Norbert Schwontkowski, and Tatiana Trouvé.

Participating artists: •WOLS •Antonin •Artaud •Alighiero Boetti •Louise Bourgeois• Marcel Broodthaers• André Butzer• Alexander Calder •George Condo •Bruce Conner• Constant •Anton Corbijn •Guy Debord •Marlene Dumas• James Ensor •Öyvind Fahlström• Jean Fautrier• Günther Förg •Alberto Giacometti• Nan Goldin• Andreas Gursky• Philip Guston• Raymond Hains• Andy Hope 1930 •Axel Huber• Sergej Jensen •Asger Jorn• Martin Kippenberger• Paul Klee• Bernd Koberling •Addi Křpcke• Willem de Kooning •Zoe Leonard• Olaf Metzel • Henri Michaux •László Moholy-Nagy •Albert Oehlen •Roberto Ohrt• Blinky Palermo• Sigmar Polke• Dieter Roth• Eugen Schönebeck• Norbert Schwontkowski •Daniel Spoerri •Andrea Stappert• Paul Thek •Wolfgang Tillmans•Mark Tobey• Tatiana Trouvé •Cy Twombly •Umbo



Today's News

February 27, 2012

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Weserburg opens exhibition dedicated to the pioneer of Art Informel painting: Alfred Otto Wolfgang Schulze

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World record setting $8.79+ million Heritage Auction comics event stands as the greatest comics auction ever

Innovative exhibition at the Vancouver Art Gallery showcases the art of contemporary aboriginal artists

Major Islamic art exhibit opens at Brigham Young University's Museum of Art

The Brooklyn Museum unveils the first in a series of art installations set in its period room

Requiem for the Sun: The Art of Mono-ha (School of Things) opens at Blum & Poe

MACT Museum of Contemporary Art Ticino kicks off the 2012 season with two exhibitions

Andy Hope presents his new series of "Medleys" at Hannover's kestnergesellschaft

Recent works by artist Harald Kröner opens at Bernhard Knaus Fine Art

Chilean-born, Los Angeles-based artist Victor Castillo exhibits in New York at the Jonathan Levine Gallery

SFMOMA transforms into an interactive gameboard

Torn in Two: The 150th anniversary of the Civil War at the Grolier Club

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