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Japanese artist Nobu Fukui's "We Didn't Start the Fire" at Stephen Haller Gallery
Nobu Fukui, Alabama, 2011, Beads, mixed media on canvas over panel, 18 x 27 inches. Photo: Courtesy Stephen Haller Gallery.
NEW YORK, NY.- Stephen Haller Gallery presents an exhibition of dynamic new work by Nobu Fukui, collage paintings vibrant with invention Fukui’s work reads as non-objective painting at a distance, yet on closer observation intrigues with surprising imagery that suggests narrative. The eye plays across the surface of his work as if watching a video game in giddy visual delight. Paint, collage, three-dimensional beads: these are some of the ingredients of this exciting work. Benjamin Genocchio in the New York Times wrote: “In fact, some works are so densely layered that they are a bit like bubbling cauldrons of imagery. It is part Pop Art, part potpourri…”

Fukui’s exhibition title is from Billy Joel’s baby-boomer anthem: a chronology of popular images with charged associations. And Fukui’s work makes brilliant use of the instant recognition of iconic popular imagery: a shorthand for the tropes of our daily lives gathered from art magazines, anime and cartoons, news, and popular culture.

There has always been a push-pull in Fukui’s collage-based paintings of the last few years – a sensation of almost falling into the celestial spaces of the early series, or of being drawn in to the densely packed imagery of his Art in America or Superheroes series. In this quicktime of social media our shorthand of texting and images accelerates. Some of these new works include focal points which draw the attention of the viewer in like a vortex. Fukui’s distinctly fresh approach creates a kind of Pollock-like frenzy of color, re-inventing action painting with a Hadron Collider of images.

Fukui has always grounded his collage paintings in a first layer of newspaper which he leaves visible, wrapped around the sides of the work. This grounds his work in the quotidian texts and visuals of our daily lives – the currency of exchange – the detritus of the collective unconscious that has become ever more universal in the social networks of our contemporary life.

Born in Japan, Nobu Fukui lives and works in New York.






Today's News

January 15, 2012

Large survey exhibition of multifaceted artist Niki de Saint Phalle at the Max-Ernst-Museum

Concurrent solo exhibitions by Dan Flavin and Lionel Estève at Galerie Perrotin

Quote carved on Martin Luther King Jr. Memorial in Washington will be changed

Exhibition of marble sculpture from 350 B.C. to last week at Sperone Westwater in New York

New paintings and performative photographs by Dorte Jelstrup at Galeri Lars Olsen

Art Antiques London returns for its third year with new exhibitors and collecting categories

The work of legendary artist Yoko Ono exhibited for the first time in India at Vadehra Art Gallery

California a central theme for two new separate exhibitions at the California African American Museum

Japanese artist Nobu Fukui's "We Didn't Start the Fire" at Stephen Haller Gallery

Bruce Silverstein's fourth annual invitational exhibition opens in New York

First solo exhibition of Tian Xiaolei in the United States opens at Meulensteen

Sixteen galleries and dealers gather for a two-day photography fair at Helms Daylight Studio

Corfu-based artist, Eva Caridi, opens her first solo show in London at Ambika P3

Denis De Gloire's tribute to Jackson Pollock's 100th anniversary at Galerie Ida

Selected works from the collection of Peter Voulkos' daughter on view at Frank Lloyd Gallery

Santa Monica Museum of Art presents NY/LA: A new, annual project room exhibition series

Sotheby's Hong Kong sale of finest and rarest wines fetched US$5,648,506

Peabody Essex Museum presents bold, new exhibition of native American art

University of California, Berkeley Art Museum and Pacific Film Archive presents The Reading Room

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