|The First Art Newspaper on the Net
||Established in 1996
|| Wednesday, June 28, 2017
|2011 Käthe Kollwitz Prize Awarded to Canadian Artists Janet Cardiff and George Bures Miller|
Canadian artists George Bures Miller (L) and Janet Cardiff attend a press conference at the Academy of the Arts in Berlin, Germany, 28June 2011. Cardiff and Bures Miller are the winners of this year's Kaethe Kollwitz Award and a prize money of 12,000 euros. The Berlin-based Academy of the Arts honors the artists for their innovative and media transcending work. EPA/SEBASTIAN TANKE.
BERLIN.- The Käthe-Kollwitz-Preis 2011 (Käthe Kollwitz Prize) has been awarded jointly to Janet Cardiff and George Bures Miller. On this occasion the artist duo from Canada will be showing four works in the Akademie der Künste (Academy of Arts). The exhibition at Pariser Platz will focus on the construction and deconstruction of acoustic perception and illusionist spaces. The real occurrences in Cardiffs and Millers stories only reveal themselves when people enter the space and engage their visual and tactile senses. An additional layer is revealed in the process of recalling and imagining spaces, objects and relations. As an observer-listener, the visitor is tugged back and forth between dream and trauma, horror and curiosity. What people see often fails to match with what they are hearing, or it is hard to associate a particular sound with its imagined location. One of these intriguingly narrative main works is entitled Killing Machine (2007), on display for the first time in Berlin. Confronted with the machine of torture in the room, the visitor experiences the maltreatment of a fictional victim as it is increased to the unbearable an effect achieved purely through light and a complex sound composition. While the changing light conditions and the empty treatment chair convey the experience of inner pain, a disco ball renders the situation trivial. The narrative aspect plays out only in our minds.
Statement of the jury
Sound has belonged to the domain of the fine arts since the Futurists, since John Cage and the original developments of the radiophone, acoustic art and sound sculpture. Janet Cardiff and George Bures Miller have effectively enlarged this field within the last twenty years through intensive, independent works. Human beings have a rich perceptual experience of the visual world and know that eyes are easy to deceive and only focus on the world in front of us. In contrast, ears can be aware of and perceive an entire space encircling a 360-degree radius. Cardiff and Miller demonstrate just how much a noise or a word that comes from the unseen areas behind us may frighten us. They employ these means like virtuosos, turning the individual visitor into a participant of a complex event that they have developed. Since Münster Walk, an audio tour through the city of Münster during the Skulptur.Projekte 1997, many art lovers have experienced this strange shift of space and even time.
Four years later, Cardiff/Miller convinced us again with their The Paradise Institute in the Canadian Pavilion at the Venice Biennale. After putting on the large headphones, you no longer felt as if you were in the small video chamber, but in a giant movie theater with the corresponding sounds and reverberations. The fact that other people even sit behind us conjured up fears, as did the thoughts that could trigger our darker realms: Feelings of anxiety, memories of something beautiful, but also the banal, Did I really turn off the stove at home? Cardiff and Miller were not afraid of having to make big cinema.
They similarly like to investigate primal fears and intense feelings, incorporating them into their works. This is not to impress us, however, but instead to almost disconnect the boundaries of perception and fiction, of reality and presentation. Comparable to Baroque trompe loeil painting or the fascination with anamorphic effects, which first become recognizable in cylindrical mirrors, Cardiff and Miller develop increasingly more artistic, more spatially perfect sound forms for their narrative sound impressions. Concentration and deceleration were realized in the sound sculpture The Murder of Crows, in 2009 at the Hamburger Bahnhof Museum in Berlin, combined with an intense, almost physical experience. The sound event, the voices orbiting the listener, but also the nightmares that were unleashed, engaged the participant quite differently than what occurs in the rows of a concert hall. At the same time, there are works by the two artists that express playfulness and the joys of technical detail. They make us curious about their other works, which is wonderful confirmation that the jury of the Akademie der Künste has chosen the correct winners for the art prize called the Käthe-Kollwitz-Preis.
June 28, 2011
Christie's to Sell Most Outstanding Group of Lucian Freud Drawings to Come to Auction
Museum of Fine Arts, Boston to Retain Ownership of Eglon van der Neer Painting
Exhibition at Musée du Quay Branly Offers the Opportunity to Discover the Guatemalan Maya
One of the Greatest Venetian View Paintings by Francesco Guardi to Lead Sotheby's Sale
Nationalmuseum in Stockholm Announces New Acquisition: Elizabeth I by Nicholas Hilliard
Record for a Sale of Old Master & 19th Century Paintings and Drawings at Sotheby's
A Portrait of Holland: The Dutch Landscape in Art Since 1850 at De Hallen Haarlem
Beijing Tax Authorities Seek Nearly $2 Million from Outspoken Chinese Artist Ai Weiwei
Hungarian Photographers in Frame in United Kingdom's Royal Academy of Arts Exhibition
2011 Käthe Kollwitz Prize Awarded to Canadian Artists Janet Cardiff and George Bures Miller
Martin Creed's Work No.1059, 2011 is the New Commission for the Scotsman Steps
Phillips de Pury & Company's June Contemporary Art Evening Sale Realizes $16,923,234
Early American Toys and Trains Raced Past their Estimates at Noel Barrett's Spring Sale
Brent Glass, Director of the National Museum of American History, Announces Retirement
Famous Margaret Thatcher Handbag Auctioned for $40,000 at Christie's in London
Exhibition of Four Single Colour Paintings by Stuart Cumberland at The Approach
French Archaeologists Unearth Hundreds of Large Inscribed Limestone Blocks in Egypt
Raw and Unapologetic: Kim Dorland's Portraits of Wife Lori at Mike Weiss Gallery
Nachume Miller vs Danny Miller: A Father and Son Exhibition at Benrimon Contemporary
Top British Art Consultancy Targets Russian Collectors
Michael Jackson Thriller Jacket Sells for $1.8 Million at Julien's Auctions
The Dress that Caught the Prince's Eye Goes on View to the Public
Sotheby's to Offer Absolutely Stunning Imperials from a Classic Bordeaux Collection
Exhibition of Artist Will Barnet on View at Amon Carter Museum of American Art
A Date with Diamonds at Bonhams & Butterfields Fall Salon Jewelry Auction
Desroches Noblecourt, French Egyptologist, Dies
Most Popular Last Seven Days
1.- Art community remains divided over Caravaggio found in French attic
2.- Stedelijk Museum presents a snapshot of Rineke Dijkstra's photographic and video work
3.- Hillwood Estate, Museum & Gardens mourns death of Dina Merrill
4.- Exhibition of new paintings by Gerhard Richter opens at Albertinum in Dresden
5.- 18th-century French paintings from across America on view at National Gallery of Art
6.- Major retrospective of Robert Rauschenberg opens at the Museum of Modern Art
7.- Canaletto exhibition reunites two of the Venetian master's greatest series of paintings
8.- King Tutankhamun's bed, chariot paraded through Cairo to new home
9.- Junk sale diamond ring bought for £10 worth a fortune
10.- Exhibition sheds light on one of the most pressing issues of the 21st century: What will we eat in the future?
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .
|Royalville Communications, Inc|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.