The First Art Newspaper on the Net Established in 1996 United States Friday, October 31, 2014


Museum of Fine Arts, Boston to Retain Ownership of Eglon van der Neer Painting
Portrait of a Man and Woman in an Interior, about 1666 by Eglon van der Neer (Dutch, 1634–1703). Oil on panel. Museum of Fine Arts, Boston. Seth K. Sweetser Fund. Photo: © Museum of Fine Arts, Boston.
BOSTON, MA.- Research conducted by the Museum of Fine Arts, Boston (MFA), about the provenance, or history of ownership, of its painting Portrait of a Man and Woman in an Interior (1665–67) by Dutch artist Eglon van der Neer (1634–1703), has led to an agreement with the estate of German art dealer Walter Westfeld (1889–1945), enabling the MFA to retain ownership of the work. The Museum decided to reach a financial settlement for the painting with the estate after reviewing recent research conducted by Victoria Reed, the Museum’s Monica S. Sadler Curator for Provenance. This research has clarified few details about the path the work took between 1936, when it was last documented in Westfeld’s possession, and 1941, when it appeared on the New York art market. While the six-year, international research project was not conclusive, it resulted in the identification of a limited number of ways the painting could have left his possession during this time. Based on these scenarios, it is unlikely that Westfeld gave or sold the painting voluntarily, but rather, as a Jewish art dealer living in Nazi Germany, disposed of it due to persecution.

When the Museum purchased Portrait of a Man and Woman in an Interior in December 1941 from E. and A. Silberman Galleries, New York, there was little known about the work’s 20th-century history. In 1943, the MFA learned that the van der Neer had belonged to Westfeld prior to World War II, but had few details about when he acquired it or how it might have left his possession. In 2000, the MFA launched a provenance page on its website (www.mfa.org), where it sought information about the painting and several other works. In 2004, Westfeld’s nephew, Fred Westfield, saw the painting on the Museum’s website and discussions about the painting’s provenance followed.

“This resolution highlights the importance of offering world-wide access to the history of works of art on our website and reaffirms the Museum’s ongoing commitment to provenance research,” said Malcolm Rogers, Ann and Graham Gund Director of the MFA. “We are pleased to have arrived at a successful outcome, reaching a settlement with the estate of Walter Westfeld and acknowledging his legacy.”

Measuring approximately 29 by 27 inches, the work is on view in the MFA’s Robert and Ruth Remis Gallery (Europe, 1600–1800). It depicts an affluent couple seated comfortably in a well-appointed room, with embossed leather covering the wall and a Persian carpet on the table. Dutch artists often depicted paintings within paintings to comment on their subjects, and here the image of Venus over the mantel may allude to the couple's marital harmony. (When the painting originally entered the Museum’s collection in 1941, Venus had been over-painted with a sedate landscape, reflecting the more conservative taste of a later age.)

Provenance of Portrait of a Man and Woman in an Interior
Westfeld opened his art gallery in Elberfeld (present-day Wuppertal), Germany, in 1920. A 1935 decree from the Reichs Chamber of Fine Arts later forbade him, as a Jewish person, from working as an art dealer. After an unsuccessful attempt to appeal this ruling, he was ordered to close his gallery in May 1936. That very month, an exhibition of works of art owned by Westfeld was held at the Galerie Kleucker in Düsseldorf, including a “Company Scene” by Eglon van der Neer. Research indicates that this was almost certainly the MFA painting, which Westfeld had bought from his associate, Paris-based dealer Robert Lebel, around 1935. After May 1936, the painting’s paper trail ends, but in the ensuing period, Westfeld was forced to sell off his gallery stock through the Galerie Kleucker, which was run by his non-Jewish friend and associate. Whether the van der Neer painting was among the stock sold at this time, or was considered Westfeld’s private property and remained in his possession, is not known. After the closure of his gallery, Westfeld continued to sell paintings in order to survive, although he was forbidden by law to do so, and thus kept his activities secret. There is no complete record known of his transactions, many of which took place through Kleucker.

Outside of Germany, Westfeld maintained business relationships in France and the Netherlands, in violation of German law. He smuggled works of art into France, with the assistance of Lebel, in the summer of 1938, and entrusted other objects to a friend in Amsterdam, where they were left in a bank vault, only to be seized and sold after Germany invaded the Netherlands in May 1940. Precisely which objects he took abroad, and what happened to them, is not known.

“The MFA’s van der Neer painting could have left Westfeld’s possession in a variety of ways. It may have been sold or traded in Germany, liquidated through the Galerie Kleucker, sold or otherwise left in the Netherlands or smuggled into France,” explained Reed, who conducted the research on the painting. “Its exact provenance may never be known; however, it is difficult to imagine a scenario by which he sold the painting voluntarily, receiving proceeds over which he had free disposal.”

In November 1938, Walter Westfeld was arrested for violating Germany’s foreign exchange laws. All of the works of art that could be found in his possession were seized by Nazi authorities; these were auctioned in Cologne in 1939 (the title page of the catalogue reads: “forced sale ... from a non-Aryan collection”). The van der Neer painting was not included in this sale, and had probably left Westfeld’s possession already by November 1938. Westfeld spent more than a year in pre-trial custody before being found guilty of foreign exchange violations in January 1940. He spent the remaining years of his life in captivity. After serving time in Remscheid penitentiary at Lüttringhausen, he returned to a police prison in Düsseldorf before being deported, in 1942, to the Theresienstadt concentration camp. In January 1943, he was sent to the Auschwitz concentration camp, where he died.

When the MFA purchased the Portrait of a Man and Woman in an Interior from E. and A. Silberman Galleries in 1941, the dealer told MFA curator W. G. Constable that it was “brought to this country by a refugee some time ago, and I wish I were able to supply you with more information.” Silberman appears to have purchased the painting in the spring of 1941, but it has not been ascertained from whom. The gallery is no longer in existence and its records, which cannot be located, are believed to have been destroyed.

Provenance Research at the MFA
The MFA has been a leader in provenance research within the art museum community, especially regarding the Nazi and WWII period, which is highlighted at www.mfa.org/collections/provenance. In 1998, the Museum began the systematic review of the provenance of its collection, with the goal of identifying objects that may have been improperly sold or traded during the Nazi era and World War II (1933–1945). In 2000, the MFA launched on its website information and images pertaining to works of art whose Nazi-era provenance was unclear with the intention of identifying objects that may have been lost between 1933 and 1945 and never returned to their rightful owners. Also that year, the Museum created a full-time provenance research position, which is now held by Victoria Reed, the Monica S. Sadler Curator for Provenance. In 2008, the MFA initiated “Art with a Past: Provenance Research at the MFA,” a Museum-wide initiative to create label text for specific objects in the galleries addressing a wide range of provenance topics. The Museum updates its website regularly with new provenance research discoveries.

Portrait of a Man and Woman in an Interior was one of seven works identified as high priority for provenance research by the MFA and currently included on the Museum’s website. The other six are:

* Landscape with Burning City (about 1500) by Herri Met De Bles

* Actaeon Watching Diana and Her Nymphs Bathing (1612) by Joachim Anthoniesz. Wtewael

* A Nude Man reclining, holding a Club (about 1526) by Albrecht Dürer

* Skating on a Frozen River (about 1650) by Barent Avercamp

* Spandrel with an Angel, third quarter of the 12th century by unidentified artist

* Roses in a Glass Vase (1890) by Henri Fantin-Latour





Today's News

June 28, 2011

Christie's to Sell Most Outstanding Group of Lucian Freud Drawings to Come to Auction

Museum of Fine Arts, Boston to Retain Ownership of Eglon van der Neer Painting

Exhibition at Musée du Quay Branly Offers the Opportunity to Discover the Guatemalan Maya

One of the Greatest Venetian View Paintings by Francesco Guardi to Lead Sotheby's Sale

Nationalmuseum in Stockholm Announces New Acquisition: Elizabeth I by Nicholas Hilliard

Record for a Sale of Old Master & 19th Century Paintings and Drawings at Sotheby's

A Portrait of Holland: The Dutch Landscape in Art Since 1850 at De Hallen Haarlem

Beijing Tax Authorities Seek Nearly $2 Million from Outspoken Chinese Artist Ai Weiwei

Hungarian Photographers in Frame in United Kingdom's Royal Academy of Arts Exhibition

2011 Käthe Kollwitz Prize Awarded to Canadian Artists Janet Cardiff and George Bures Miller

Martin Creed's Work No.1059, 2011 is the New Commission for the Scotsman Steps

Phillips de Pury & Company's June Contemporary Art Evening Sale Realizes $16,923,234

Early American Toys and Trains Raced Past their Estimates at Noel Barrett's Spring Sale

Brent Glass, Director of the National Museum of American History, Announces Retirement

Famous Margaret Thatcher Handbag Auctioned for $40,000 at Christie's in London

Exhibition of Four Single Colour Paintings by Stuart Cumberland at The Approach

French Archaeologists Unearth Hundreds of Large Inscribed Limestone Blocks in Egypt

Raw and Unapologetic: Kim Dorland's Portraits of Wife Lori at Mike Weiss Gallery

Nachume Miller vs Danny Miller: A Father and Son Exhibition at Benrimon Contemporary

Top British Art Consultancy Targets Russian Collectors

Michael Jackson Thriller Jacket Sells for $1.8 Million at Julien's Auctions

The Dress that Caught the Prince's Eye Goes on View to the Public

Sotheby's to Offer Absolutely Stunning Imperials from a Classic Bordeaux Collection

Exhibition of Artist Will Barnet on View at Amon Carter Museum of American Art

A Date with Diamonds at Bonhams & Butterfields Fall Salon Jewelry Auction

Desroches Noblecourt, French Egyptologist, Dies

Most Popular Last Seven Days



1.- Image of a Christ without a beard, short hair and wearing a toga unearthed in Spain

2.- Giant mosaic unearthed in mysterious tomb in Amphipolis in northern Macedonia

3.- Bonhams sale of 18th century French decorative arts to benefit Fine Arts Museums of San Francisco

4.- Paris flustered by erection of 'sex-toy' sculpture; Paul McCarthy slapped by a passer-by

5.- High art or vile pornography? Marquis de Sade explored in Orsay museum exhibition

6.- 'Cubism: The Leonard A. Lauder Collection' opens at the Metropolitan Museum of Art

7.- Greek culture minister says Elgin Marbles return a matter of 'global heritage'

8.- Vandals deflate Paris 'sex-toy' sculpture by American artist Paul McCarthy after outrage

9.- Exhibition at National Gallery in London explores Rembrandt's final years of painting

10.- 'Hans Memling: A Flemish Renaissance' opens at the Scuderie del Quirinale in Rome



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site