The First Art Newspaper on the Net   Established in 1996 United States Wednesday, December 2, 2015

Gagosian Gallery Centers Exhibition on Recent Discovery of Painting by Arshile Gorky
Arshile Gorky, The Limit, 1947. Oil on paper, mounted on canvas, 50 3/4 x 62 in. © 2011 The Arshile Gorky Foundation/Artists Rights Society (ARS), NY. Courtesy Gagosoian Gallery. Photo: Robert McKeever.
NEW YORK, NY.- Gagosian Gallery presents an exhibition of paintings and drawings by Arshile Gorky.

Centered on the recent discovery of Untitled (Pastoral), a painting from 1947 that has never before been exhibited, “1947” includes paintings and drawings executed by the artist during the last year of his life. Untitled (Pastoral) was found in 2010 during the reframing of the painting Pastoral from the same series. The former was set behind Pastoral on the same stretcher, and remained covered for sixty-four years, thus its surface is startlingly fresh and vivid. In addition to the newly discovered painting, “1947” features a number of works drawn from international collections that have not been shown in New York for more than twenty years including The Limit, a formally audacious painting that was unveiled at Julien Levy Gallery in February 1948. Reviewing this exhibition in The Nation, Clement Greenberg commented: “Gorky at last arrives at himself and takes his place… among the very few contemporary American painters whose work is of more than national importance”. The painting was last shown in “Arshile Gorky: 1904-48, A Retrospective”, at the Solomon R. Guggenheim Museum in 1982.

In 1941, Gorky began integrating turpentine into his paints in order to loosen the structure and allow more freedom with form. This resulted in a dynamic aesthetic that moved away from the hard-edged, flat forms common to the work of the 1930s in favor of thinner lines and less saturated hues. In the late 1940s, Gorky began making forays from New York to the Virginia countryside, where he produced his “pastoral” work—an exploration of the classical Arcadian theme. Day after day, he went out into the fields, looking intently at the various flowers and grasses and working freely with pencil, pens, crayons, and watercolors. Later, he repeatedly drew the plein air drawings, integrating the ideas and lessons they contained into his formal vocabulary. He detached color from line to create discrete pictorial components; he washed the drawings in his bathtub, hung them up to dry, and scraped or sanded the surface. In this new surface experimentation the recognizable identity of an image was further altered by eliminating specific botanical or biological details.

By October of 1947, Gorky had produced approximately twenty-five major works, ten of which are included in this exhibition. Regarding the recently discovered Untitled (Pastoral), the conjecture is that he simply ran out of stretchers in August, when most of the city was on vacation, and so stretched new canvas over the existing painting in order to paint another version. In his haste to reunite with his family, who had been vacationing separately in Maine, Gorky simply forgot about the hidden canvas.

“1947” is a compelling presentation of how Gorky worked and a telling account of his complex vocabulary and unique approach to painting that influenced the work of artists such as Willem de Kooning. It provides extensive insight into the development of his themes and the delicate balance that he maintained between surrealism and abstraction, introspection and expressionism.

Arshile Gorky was born Vostanik Manoog Adoian c.1902, in Khorkom, Armenia. He escaped the Armenian genocide in 1915, emigrated to the U.S. in 1920, and changed his name in the process of reinventing his identity. He attended the New School of Design, Boston (1922) and the Grand Central School of Art, New York City (1925). He took his own life in Connecticut in 1948. Major recent exhibitions include “Arshile Gorky: A Retrospective of Drawings,“ Whitney Museum of American Art (2003, traveled to Menil Collection, Houston in 2004). “Arshile Gorky: A Retrospective” opened at the Philadelphia Museum of Art in 2009 and traveled to the Tate Modern, London and the Museum of Contemporary Art, Los Angeles.

Today's News

May 6, 2011

The Concept of The Power of Giving Examined in New Exhibition at Museum in Dresden

Art Basel Takes Major Step Toward Expansion in Asia, Buys Hong Kong International Art Fair

Sotheby's to Sell Major Masterwork by Leading British Post-War Artist Francis Bacon

Gagosian Gallery Centers Exhibition on Recent Discovery of Painting by Arshile Gorky

Musee Rodin in Paris Presents "Works in Progress, Rodin and the Ambassadors"

David Zwirner Presents Works by Donald Judd Drawn from Seminal 1989 Exhibition

Crystal Bridges Museum of American Art Announces Endowment Gifts from Walton Family Foundation

Christie's in London to Offer the Extraordinary Collection of Duarte Pinto Coelho

Knoedler & Company Presents Exhibition of Paintings by Conrad Marca-Relli

Interior Secretary Ken Salazar Endorses American Latino Art Museum Plan

Memorabilia of Rock and Pop Musical Legends to Be Auctioned at Christie's in June

Christie's New York Announces Post-War and Contemporary Day Sale May 12

Major Survey Exhibition of the Venezuelan Artist Jésus Rafael Soto: 1955 to 2004 at Haunch of Venison

Gagosian Gallery Presents New Distinctive Metal Sculptures by Artist John Chamberlain

Madison Square Park Conservancy Presents the NY Public Art Debut of Jaume Plensa

Web Application Announced for 9/11 Dead Listed on National Memorial at Ground Zero

Medal Awarded to Sheffield Wendesday's W. E. Clegg to Sell at Bonhams More Virtual Fairs Announced

London Original Print Fair Records Highest Ever Visitor Figures

Impressionist & Modern Art Day Sale Brings $39 Million at Sotheby's New York

SFMOMA and Google Partner to Give Bay Area Families Greater Access to Art Education

Exhibition Featuring Objects Never Before Seen in Canada to Be Presented in Toronto

Sotheby's Offers One of the Most Important Works by Egon Schiele Ever to Come to the Market

Paintings, Drawings, and Prints of Builders by Jacob Lawrence at DC Moore Gallery

National Archives and Partners Launch New International Nazi-Era Records Internet Portal

Amanda Sharp and Matthew Slotover Announce Details of Frieze Art Fair 2011

Masterpiece by Sir Lawrence Alma-Tadema Achieves $29.2 Million at Sotheby's New York

Roger Kennedy, Former Museum Director, Receives Smithsonian's Henry Medal

14-Foot Walk-Through Purse Shown in Washington State

Most Popular Last Seven Days

1.- Painting by the 17th-century Dutch painter Gerard van Honthorst on long-term loan to the Rijksmuseum

2.- Forger claims Da Vinci masterpiece "La Bella Principessa" is supermarket checkout girl

3.- Deutsche Bank KunstHalle in Berlin showcases Jackson Pollock's masterpiece "Mural"

4.- International team of bioarchaeologists get under the skin of a Medieval mystery

5.- "Me and You: Mario Testino and Ed van der Elsken" opens at Annet Gelink gallery

6.- Scans point to hidden chamber possibly heralding discovery of Queen Nefertiti's mummy

7.- Art Loss Register successfully resolves case of Anish Kapoor 'Water Pendant'

8.- First solo exhibition by the American artist Mickalene Thomas in Belgium opens at Galerie Nathalie Obadia

9.- Broad Art Museum at Michigan State University appoints Steven L. Bridges as Assistant Curator

10.- First monographic exhibition in Spain on the work of Ingres opens at the Museo del Prado

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez
Social Network Manager and Translator: Norma Cristina Pérez Ayala Cano

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful