The First Art Newspaper on the Net   Established in 1996 United States Sunday, June 24, 2018

Institute for the Study of the Ancient World Exhibition Opens Window onto Little-Known Cultures of Ancient Nubia
Painted Cow Skull (Bucranium) Bone, Khozam? (Pan-Grave), 1700–1550 BC (Second Intermediate Period, Dynasty 14 17). Emily Esther Sears Fund, Boston Museum of Fine Arts Expedition: 03.1956 Photography © 2011 Museum of Fine Arts, Boston.

NEW YORK, N.Y.- The rich cultures of ancient Nubia, located in present-day southern Egypt and northern Sudan, are the subject of an exhibition on view at the Institute for the Study of the Ancient World (ISAW) at New York University from March 11 through June 12, 2011. Entitled Nubia: Ancient Kingdoms of Africa, the exhibition evokes the rise, fall, and re-emergence of Nubian power over the course of some 2,500 years, from the earliest Nubian kingdoms of about 3000 BC through the conquest of Egypt beginning in about 750 BC. With more than 120 objects, ranging from statues portraying kings to military weapons, jewelry, pottery, and more, the exhibition illuminates the culture of ancient Nubia—particularly its ongoing, complex relationship with Egypt—and reveals its remarkable and distinctive aesthetic tradition.

Nubia: Ancient Kingdoms of Africa was organized by the Museum of Fine Arts, Boston, and conceived by Jennifer Chi, associate director for exhibitions and public programs at ISAW, and Geoff Emberling, an independent curator, scholar, and archaeologist. In addition to loans from the Museum of Fine Arts, Boston, supplemental material has been loaned to ISAW by The Metropolitan Museum of Art, New York.

Dr. Chi states, “Ancient Nubia cannot be understood in isolation from its neighbors, particularly Egypt, with whom it was alternately trading partner and fierce enemy. In fact, our understanding of Nubia has long been shaped by ancient Egyptian texts and works of art that portrayed Nubians as stereotyped enemies, using such terms as ‘vile Kush.’ We hope that the objects on view in the exhibition, which tell the story of Nubia on its own terms, will enlighten visitors to these cultures, whose riches have yet to be fully understood. We are grateful to Geoff Emberling for bringing his knowledge and expertise to this exhibition.”

Ancient Nubia
Nubia encompassed a diverse population that lived along a 500-mile stretch of the Nile Valley. While the earliest Nubian kingdoms, located in the north of the region, developed by 3000 BC, they were short-lived, as a result of raids by the Egyptian army. Further south, however, a different cultural tradition—one that would prove to be wealthy, powerful, and long- lasting—began to flourish around 3000 BC. The Egyptians came to call this kingdom “Kush,” and in the years after 2000 BC they erected a series of fortresses along the Nile in an attempt to control trade and protect themselves against the formidable Kushite military power. (Indeed, the kings of Kush frequently formed alliances with distant rulers, and around 1600 BC they nearly captured the Egyptian capital at Thebes.)

In about 1550 BC, Egypt succeeded in conquering much of Nubia, and from that point on, the histories of the two kingdoms were increasingly intertwined, with Egypt working to assimilate Nubians into the Egyptian empire, despite the latter’s longstanding position as an enemy. Egypt maintained control over the territory until about 1100 BC, when its empire in Nubia collapsed, precipitating a dark age in the region that lasted until a Nubian revival in about 900 BC. The new Nubian dynasty, based in Napata, adopted important religious and political practices from Egypt, which it would soon conquer and rule as its 25th Dynasty from about 750 to 650 BC. At this point the Assyrians took control of Egypt.

The objects on view in Nubia: Ancient Kingdoms of Africa offer insights into Nubian cultures and history, illustrating such practices as craft production, burial, worship, and warfare, and revealing the ways in which Nubia was affected by ongoing contact with Egypt and other societies, including those to its south.

The exhibition begins in the first of ISAW’s two galleries, which focuses on pottery and faience, two mediums in which Nubia excelled. Early vessels, dating to about 3000 BC, show the spectacular development of hand-crafted ceramic vessels. Later examples here include a bowl with spiral decoration, a pitcher in the form of a hippopotamus, and a beaker, all dating from 1700–1550 BC. While these come from the Kushite capital of Kerma, similar vessels have been found along a long stretch of the Nile, suggesting the expansion of the power of Kush, as well as more extensive trade relations. From the same period are numerous early examples of faience, which Nubians learned from Egyptian artisans by about 1700 BC. These include a head of a Nubian shown in profile and large-scale wall inlay in shape of a lion.

The objects on view in the second gallery, more clearly expressive of Nubia’s increasingly complex relationship with Egypt, highlight the selective adoption and modification of Egyptian royal iconography, sophisticated craft techniques, and funerary practices. A stone statue of the Nubian king Senkamanisken (ca. 643–623 BC), for example, is carved in an archaizing Egyptian style, but depicts the king wearing ram’s-head amulets and a cap crown that are distinctively Nubian. In another example of the integration of Egyptian practices into Nubian culture, Nubian kings in later times constructed pyramids for their burials, rather than the mounds that had traditionally covered their burial chambers. The exhibition includes some precious vessels made of gold and silver that were preserved following the collapse of one of the chambers of Nubian King Aspelta’s pyramid. Intricate works of ancient artistry, including an exquisite pendant of gold and rock crystal depicting the Egyptian goddess Hathor, were also found in pyramid tombs of some Nubian queens.

Today's News

March 11, 2011

Vittorio Sgarbi Returns to Museo Diocesano to Present Major New Caravaggio Exhibition

Iconic Work by Jeff Koons to Highlight Sotheby's Spring Sale of Contemporary Art

MoMA Acquires Important Group of Paintings and Sculptures by Cy Twombly

Institute for the Study of the Ancient World Exhibition Opens Window onto Little-Known Cultures of Ancient Nubia

Eric Clapton's Guitars and Amps Make $2.15 Million at Charity Auction in New York

The Whitney Presents a Mid-Career Retrospective of Groundbreaking New York Artist

Juilliard Participates in Library of Congress' Music Treasures Consortium Web Site

Christie's Announces an Exhibition of Iconic Works by Zeng Fanzhi to Be Held in Hong Kong in May

Sotheby's to Auction Very Rare Secrétaire with Sevres Porcelain Plaques Stamped A. Weisweiler

The Artangel Collection Brings the Moving Image to Audiences Across the UK and Beyond

Miami Art Museum Presents Mark Dion's Complete South Florida Wildlife Rescue Unit

Martine Chaisson Gallery Presents Photographer Herman Mhire "Altered States"

Rare Signed Photograph of Jesse James to Sell at Leslie Hindman Auctioneers

Color Pictures of San Francisco After '06 Quake Found at the Smithsonian Institution

Fine Chinese Ceramics and Works of Art to Be Offered at Sotheby's in New York

Benrimon Contemporary Presents "Last One" by Russian Artist Dimitri Kozyrev

Seattle Audiences Immerse Themselves in the World of Chicago-Based Artist Nick Cave

Experts Debate on Authenticity of Probable Third Known Photograph of Chopin

Original Illustration Art from the Collection of Kendra and Allan Daniel Offered at Sotheby's

Rhode Island Art Dealer Accused of $6 Million Con Testifies

Dutch Collectors's 30,000 Toy Soldiers to Sell at Bonhams

A La Vieille Russie will Exhibit Items by Faberge at the TEFAF Maastricht 2011

Famed Steve McQueen "Le Mans" Porsche 911S Set for RM's Monterey Auction

Sale of Artwork and Personal Effects Belonging to Albert Anker Makes USD 660,000

Annely Juda Fine Art Presents Its 7th Solo Exhibition of the Work of Alan Reynolds

Sotheby's to Exhibit In Turkey Highlights From Its Forthcoming Sale of Contemporary Turkish Art

Colorado Couple Enters Guilty Pleas in Artifacts Case

London Museum Repatriates Islands' Human Remains

Portland Museum of Art Receives Exhibition Funding from the Henry Luce Foundation

Most Popular Last Seven Days

1.- Galerie Miranda opens exhibition of works by Marina Berio

2.- Restorers unveil original face of Belgium's 'Mystic Lamb'

3.- Classic Beauties unveils the sensual enchantment of Neoclassicism

4.- Exhibition presents a dramatic survey of five hundred years of Spanish painting

5.- Glasgow blaze guts one of world's top art schools - again

6.- The Prado opens the first major monographic exhibition on Lorenzo Lotto's portraits

7.- Cleveland Museum of Art announces new acquisitions

8.- A record setting necklace, diamonds & gemstones propel $1.9 million in jewelry sales at Rago in June

9.- Czech Art Nouveau painter Mucha's masterpiece finds home after 90 years

10.- Exhibition at The Laing Art Gallery explores the garden as a "stage" for the extraordinary

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful