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The World of Lucas Cranach, One of the Greatest European Painters of the 16th Century at Bozar
Lucas Cranach the Elder, The Nymph of the Spring, after 1537, Washington, National Gallery of Art © National Gallery, Washington.
BRUSSELS.- Lucas Cranach was one of the greatest European painters of the 16th century. This exhibition - the first to be devoted to the artist in a Benelux country - replaces the work of this leading figure of the German Renaissance in the social, cultural, and artistic context of his time. The exhibition is on view until January 23 2011 at Bozar. A court painter, he also rubbed shoulders with great figures such as Martin Luther, while liberating nudity and the power of women in a sensual, anti-academic style. Some 150 paintings, drawings, and rarely seen engravings show the authenticity and originality of his sophisticated artistry, his work in the studio, and his close bonds with his German, Italian, and Dutch contemporaries, including Dürer and Metsys. A journey through a fascinating period in European history.

Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm, becoming a close friend of Martin Luther. He also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. He had a large workshop and many works exist in different versions; his son Lucas Cranach the Younger, and others, continued to create versions of his father's works for decades after his death.

He was born Lucas Maler at Kronach in upper Franconia, and learned the art of drawing from his father Hans Maler (his surname means "painter"). His mother, with surname Hübner, died in 1491. Later, he took the name of his birth-place as his surname. We do not know how Cranach was trained, but it was probably with local south German masters, as with his contemporary Matthias Grünewald, who worked at Bamberg and Aschaffenburg. Bamberg is the capital of the diocese in which Kronach lies. Also there is hints, that Cranach spent some time in Vienna around 1500.

According to Gunderam (the tutor of Cranach's children) Cranach demonstrated his talents as a painter before the close of the 15th century. His work then drew the attention of Duke Friedrich III, Elector of Saxony, known as Frederick the Wise, who attached Cranach to his court in 1504. The records of Wittenberg confirm Gunderam's statement to this extent that Cranach's name appears for the first time in the public accounts on the 24 June 1504, when he drew 50 gulden for the salary of half a year, as pictor ducalis ("the duke's painter"). Cranach was to remain in the service of the Elector and his successors for the rest of his life, although he was able to undertake other work.

Cranach married Barbara Brengbier, the daughter of a burgher of Gotha and also born there; she died at Wittenberg on 26 December 1540. Cranach later owned a house at Gotha, but most likely he got to know Barbara near Wittenberg, where her family also owned a house, that later also belonged to Cranach.

With information from wikipedia.org

Bozar | The World of Lucas Cranach | Brussels |


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