The First Art Newspaper on the Net Established in 1996 United States Wednesday, September 17, 2014


Exhibition Features 70 Images by One of the 19th Century's Most Acclaimed Photographers,
Oscar Gustave Rejlander (Swedish, 1813–1875), Lionel, Emily, Alfred and Hallam Tennyson, circa 1862. Albumen print from wet plate collodion negative, 6 3/8 x 5 ½ inches. Collection of Michael Mattis and Judith Hochberg, courtesy art2art Circulating Exhibitions.
PITTSBURGH, PA.- On October 23, 2010, the exhibition For my best beloved Sister Mia: An Album of Photographs by Julia Margaret Cameron opened at the Frick Art & Historical Center. Now considered to be one of photography’s early masters, Julia Margaret Cameron (1815–1879) is one of the best-known photographers of the Victorian era. From the time she received her first camera as a gift when she was 48 years old, she worked to develop the medium and her personal artistic vision. The Mia album features 70 photographs that Cameron compiled collaboratively with her sister Maria “Mia” Jackson. Typical of a family album, the Mia album contains images of family, friends, and neighbors. However, the portraits are posed and photographed in Cameron’s distinctive style, which melds the real with the ideal and the ordinary with the allegorical. The Mia album provides insight into Cameron’s development as an artist as well as the role of photographs and albums in creating a personal mythology.

The majority of the photographs in the album are by Cameron, including portraits of luminaries like her Isle of Wight neighbor Alfred, Lord Tennyson and the Pre-Raphaelite painter William Holman Hunt, however, the album also includes a number of photographs attributed to others, most significantly among them pioneering photographer Oscar Gustave Rejlander (1813–1875). For my best beloved Sister Mia: An Album of Photographs by Julia Margaret Cameron will remain on view at The Frick Art Museum through January 2, 2011. Admission is free.

Julia Margaret Cameron’s work will be especially at home at the Frick, which has developed a history of exhibiting photography over the past decade—from contemporary camera artist Vik Muniz to the 100-year survey of the medium featured in the 2009 exhibition Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art. For my best beloved Sister Mia: An Album of Photographs by Julia Margaret Cameron will also provide an opportunity to look at the various family photographs on site at Clayton, the Frick family home, and reflect on the role of photographic prints and their domestic uses in the late 19th century.

Frick Art & Historical Center Director Bill Bodine comments, “The Frick is pleased to present this important body of work by Julia Margaret Cameron, one of photography’s earliest celebrated masters. Through our presentation of this exhibition and its related programs, we hope to enlighten our visitors about the development of photography in its earliest stages—as well as the role the art form played in late-19th-century life. We will also encourage our audience to make connections between works in the exhibition and photographs in our collection, on view at The Frick Art Museum and Clayton, the Frick family home.”

JULIA MARGARET CAMERON
Rather than being a proper Victorian housewife who suddenly turned artistic, an unconventional streak ran deeply within Julia Margaret Cameron. Born in Calcutta, India, to a well-to-do British family, Julia Margaret Cameron was one of seven sisters renowned in Anglo-Indian society for their intelligence and beauty.

In 1838 she married Charles Hay Cameron, who was 20 years her elder. The family lived for a time in Ceylon (now Sri Lanka), where they purchased a number of coffee and rubber plantations before returning to England in 1848 and eventually establishing themselves on the Isle of Wight, a quiet seaside enclave. It is unknown exactly when Cameron first became interested in photography, but she was given her own camera in 1863 at the age of 48, as a Christmas gift from one of her grown daughters. At the time, her husband was traveling abroad and her six older children were not living at home.

Cameron worked in a time of great experimentation with the young medium of photography. She converted an outbuilding on the family’s property into her studio and threw herself into her work. In a time of messy chemicals, long exposures and large, wet glass plate negatives, Cameron soon developed a unique approach. Using soft focus, and sometimes drawing on or manipulating the plates, Cameron created photographs known not only for a painterly look (often, brushstrokes are visible from the method of coating the plate) but also for a painterly interest in composition and allegory—often derived from Italian Renaissance models.

Cameron’s 11-year photographic career ended at its peak in 1875, when the family fell on hard times. Her husband, Charles, decided the family should move to their plantations in Ceylon, where two of their sons already were in residence. Few of her images have survived from this period. She died in 1879 at the age of 63; her husband outlived her by one year. They are buried together in Ceylon.

THE EXHIBITION
For my best beloved Sister Mia: An Album of Photographs by Julia Margaret Cameron is composed of 70 albumen silver prints, made from collodion wet plate glass negatives. It includes family portraits and allegorical works, such as Julia Margaret Cameron’s famous series on Mia’s daughter, Julia Jackson (1846–1895), who later became the mother of the writer Virginia Woolf. In addition, the album features images of some of the most celebrated figures of Victorian England, including Alfred, Lord Tennyson and the Pre-Raphaelite painter George Frederic Watts. Cameron also collected work by her colleagues, including O. G. Rejlander, one of the first to promote photography as an art form and Lewis Carroll (Charles Dodgson), the author of Alice in Wonderland.

A startlingly fresh image of the poet Alfred, Lord Tennyson and his family by Oscar Gustave Rejlander (1813–1875) from 1862 is included in the exhibition. It was included in the section of the Mia album which Cameron devoted to other photographers and peers she admired. The Mia album was a collaborative venture—Cameron would send photographs to her sister Maria “Mia” Jackson and give her instructions for how to place them in the album. The first 60 or so images in the album are all by Julia Margaret Cameron, but at the conclusion of looking through those pages, the viewer would turn the album over and go from back to front, to see a selection of images by other artists— most significantly among them, Rejlander.

In Rejlander’s family portrait, Tennyson the patriarch is the star, the center of his adoring family, who hold onto him as he moves with confidence through a park-like setting, rendered romantic and evocative because of its soft focus. The quality of light framing the figures and dancing off the greenery feels like a blessing or validation of this most esteemed of Victorian poets. Rejlander is a significant figure in the history of photography. Like Julia Margaret Cameron, Rejlander worked to establish photography as an art form in its own right and experimented with both the technical aspects of the medium and subject matter. The Mia album contains a number of examples of his work and even prints likely made in collaboration with Cameron.

During the years that Cameron was active in photography, she lived on the Isle of Wight, off the coast of England, and developed a close relationship with her neighbor Alfred, Lord Tennyson. This friendship ensured that most of the well-known social, political and artistic personalities of Victorian England who made their way to the Isle of Wight also made their way in front of Cameron’s camera. Several portraits of Tennyson may be viewed in the exhibition, including Cameron’s famous Dirty Monk image (1865), given that name by Tennyson himself.

For my best beloved Sister Mia provides a rich survey of Julia Margaret Cameron’s accomplishments, as well as a fascinating and intimate glimpse of the lives of eminent
Victorians. Perhaps most profoundly, it provides a model of the importance of photography in creating a personal history or a family mythology. Through family albums, we preserve what is important and see ourselves the way we want to be seen. In this way, the Mia album is a technically brilliant and physically beautiful embodiment of what can be accomplished when photography is put to personal use.

Frick Art & Historical Center | Julia Margaret Cameron | Bill Bodine |


Today's News

October 24, 2010

Retrospective of the Work by Filmmaker and Artist Harun Farocki Opens in Austria

A Selection of Unique Representative Works of Color Field Painting at Deutsche Guggenheim

"Before They Make Me Run: Portraits of Keith Richards 63 to 71" at the San Francisco Art Exchange

Miami's Original and Longest Running Contemporary Art Fair Returns for Its 21st Edition

Los Angeles County Museum of Art Announces Partnership to Preserve Historic Watts Towers

Reacquisition of "The Sower" by Constantin Meunier for the National Gallery

Photo Miami: The Premiere Fair for Contemporary Photography, and Video Returns for Its 5th Edition

Sculptural Installations by Contemporary Icelandic Artist Katrin Sigurdardottir on View at Metropolitan

Solo Exhibition of Dynamic New Work by Nobu Fukui at Stephen Haller Gallery

Former Gallery Owner Lawrence Salander: The Art World's Bernie Madoff, and His Deceptions

Burrell Collection Hopes to Acquire Rare 18th Century Golden Tiger Head from India

Centro Galego de Arte Contemporánea Opens Exhibition of Works by Jane and Louise Wilson

Exhibition Features 70 Images by One of the 19th Century's Most Acclaimed Photographers,

WWI Aviation Art, Antique Arms and Sporting Guns at Bonhams & Butterfields in November

Collect a Piece of Art History for Just £45 at RCA Secret 2010

Neil MacGregor, Director of the British Museum in London, Receives the International Folkwang Prize

Vet Reaches 10,000 Volunteer Hours at WWII Museum

Chrysler Museum to Open $7.5-Million Glass Studio

International Artist Ahmet Öĝüt Makes Midwest Debut at Laumeier

Most Popular Last Seven Days



1.- Scientists at Germany's Karl May Museum weigh returning Native American scalp

2.- Totally Thames launches Florentijn Hofman's first ever UK commission: HippopoThames

3.- Restoring Albrecht Dürer's masterpiece The Arch of Honour of Maximilian I

4.- German Consulate in New York presents the work of forgotten 20th century master painter

5.- Cave carving in Gibraltar may be first known example of Neanderthal rock art

6.- Monet discovered in suitcase taken into German hospital by 'Nazi art' hoarder

7.- Gustav Klimt's 'Portrait Adele Bloch-Bauer II' on view at the Museum of Modern Art

8.- Dreadnoughtus: Meet Argentina's supermassive, 85 feet from nose to tail, 'fear nought' dino

9.- Monet's 'Impressionism' birth dated by Texas State University's 'Celestial Sleuth'

10.- 'Chess' man star attraction at tattoo convention in Peru

Related Stories



Frick Art & Historical Center Appoints Two to Management Team

New Tour at the Frick Art & Historical Center: Mourning Customs in the Victorian Era

Exquisite Works at the Frick Illuminate Historic View of Our Country

Exhibition at The Frick Art Museum Showcases Government Art Program

Breton Masterpiece Returns to the Frick Art & Historical Center for Limited Time

Masterpieces from Dulwich Picture Gallery on View at Frick Art & Historical Center



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site