|The First Art Newspaper on the Net
||Established in 1996
|| Saturday, September 23, 2017
|For the First Time Ever, The Museo del Prado Exhibits Treasures from Its Library |
A view of the paining 'Francisco Pacheco', by Velazquez, on display during the opening day of the exhibition 'Bibliotheca Artis Treasures from the Museo del Prado library' at the Prado Museum in Madrid, Spain, 05 October 2010. The exhibition offers the public a first-time look at some of the museum's prized possessions from its library, including 40 books and manuscripts dating from between 1500 and 1750, as well as eight paintings by Tiziano, El Greco and Velazquez. The exhibition runs from 05 October 2010 to 30 January 2011. EPA/J.J. GUILLEN.
MADRID.- The exhibition is organized into three sections. The first, Bibliotheca artis (Library of Art), is the most important, featuring major works from the European literature on art, starting with the great treatises of the Italian Renaissance. On display are first editions of the key texts on painting by Leon Battista Alberti (1547) and Leonardo da Vinci (1651), as well as the first systematic treatise on perspective by Daniele Barbaro, who is the subject of a portrait by Titian in the Museums collection. The dissemination of Renaissance ideas in northern Europe is best represented by Dürers theoretical writings, of which an example here is the first Latin edition of his treatise On Measurement (1532). Also included in this section is a copy of the founding text of art history, Vasaris Lives, a work that exercised a notable influence in Italy and the rest of Europe.
Art theory during the Spanish Golden Age represents is another important section within the exhibition, with copies of several groundbreaking texts on display. Among 16th-century treatises, for example, is Felipe de Guevaras Comentario de la pintura, recently rediscovered among the holdings of the Madrazo library and exhibited to the public for the first time. Velázquezs teacher and father-in-law Francisco Pacheco is represented here by a short section from the first edition of his Arte de la pintura (1649), accompanied by an extremely rare leaflet (the only example in a Spanish library) with manuscript annotations by the author and a reproduction of Velázquezs portrait of him. Other outstanding items, also on show for the first time, are the manuscript copy of the Discursos by Jusepe Martínez (ca.1673-1675) and one of the copperplates used for the illustrations of Palominos El museo pictórico (1715).
The second section, Bibliotheca architecturae (Library of Architecture) brings together a carefully selected group of architectural treatises. Once again the key theme is the Italian Renaissance, with important editions of works by Vitruvius, Vignola, Serlio and Palladio. In addition to emphasising the significance and beauty of some of these texts, such as the edition of Vitruvius published by Cesare Cesariano in 1521 (the oldest book in the exhibition), this section also focuses on the way in which Renaissance painters such as El Greco used their illustrations to create the architectural backgrounds in their own compositions. This section also includes French, German and Spanish books on architecture and concludes with an area devoted to a small selection of books on public celebrations, which are unique witnesses to the spectacular temporary architectural structures designed for royal entries, canonisations, funerals, etc, by artists of the stature of Rubens and Valdés Leal.
The third section, Bibliotheca imaginis (Library of the Image) focuses on the important role that book illustrations played in European art in the early modern age. It includes drawing manuals, which were an essential element in artists training as they offered models for learning to draw the human figure step by step. Among them are the Principios by García Hidalgo (ca.1700), the most important and rarest of the Spanish manuals, produced in the final years of the Golden Age.
Books were of fundamental importance to painters as they constituted essential formal and iconographic sources for the creation of their own works. In this regard the exhibition offers a brief reflection on the genre of the portrait through three types of printed repertoires that were fundamental to the dissemination of formal models. Also on display are a number of books that are crucial to an understanding of the meaning of Renaissance and Baroque art, namely illustrated editions of Ovids Metamorphoses (1595), Ripas Iconology (1603), and various important emblem books, whose contents inspired the iconography of numerous paintings in the Museo del Prado.
Books lie at the origins of numerous paintings and also function as unique witnesses to their subsequent critical fortunes. The most important cycles of European paintings were reproduced in print form and disseminated through sumptuous albums, while the first collections of paintings (firstly private, aristocratic and royal ones and later public collections) became known throughout Europe through books such as the Prodromus (1735), a copy of which brings the exhibition to a close. Having opened with the first great theoretical text that codified the principles of Renaissance painting Albertis Pittura the exhibition closes with the birth of the institution that marked the evolution of the visual arts in the modern age: the Museum.
October 6, 2010
For the First Time Ever, The Museo del Prado Exhibits Treasures from Its Library
Preserved Feathers and Scales of a Giant Penguin Fossil Gives Evolutionary Clues
Damien Hirst Fills the Paul Stolper Gallery with 120 Framed, Foilblock Butterfly Prints
First Exhibition in 45 Years Devoted to Renaissance Master Jan Gossart on View at Metropolitan Museum
Tiny Footprints from Poland Show that First Dinosaurs Walked on Little Cat Feet
Magnificent and Rare Collection of Mezzotints Acquired by the Art Fund for the British Museum
Record Number of Visitors this Summer for the United Kingdom's National Museums
Biennale of Sydney Announces Joint Artistic Directors for 2012: Catherine de Zegher and Gerald McMaster
Robert F. Kennedy-Owned Emancipation Proclamation Up for Auction
Nazi Praise Sparks Switzerland's Rethink of Modernist Architect Le Corbusier
Judd Foundation Announces It will Now Be Represented Exclusively by David Zwirner
Teotihuacan's Emblematic Monument, The Sun Pyramid, Still an Enigma for Archaeologists
£769,250 Achieved at Sotheby's for Rediscovered Paintings Depicting Tipu Sultan's Victory over the British
DeCordova Announces the Rappaport Endowment Fund and the Winner of the 11th Rappaport Prize
Completely Renewed, the National Museum of Cultures to Be Reopened
France 1500: Between the Middle Ages and the Renaissance at the Galeries nationales Grand Palais
New Work by Turner Prize Nominated Artist, Cornelia Parker, Loses Wing in Cuts Campaign
Sotheby's First-Ever Evening Sale of Islamic Art Realises £7 Million - Well Above Pre-Sale Expectations
Important Whistler and Old Master Prints at Swann Galleries' Three-Part Print Auction
The Onassis Cultural Center in New York Explores the Role of Heroes in Society
Portland-based Artist to Exhibit for Art For Arts' Sake Opening of the New Orleans Art Season
As 'Peanuts' Turn 60, Schulz Family Plans Future - More TV Specials and New Film
Sears Wants to Buy Back Willis Tower Sculpture Made by Alexander Calder
First Day of Historic Three-Day Attic Sale at Chatsworth Realises US$7 Million
First Kristin Baker Exhibition in an American Museum Opens at Museum of Fine Arts, Boston
Sidney Nolan's Antarctic Paintings on Display at the Polar Museum in Cambridge
Baba Bling: The Peranakan Chinese of Singapore at the Musée du Quai Branly
Modern Works by Artist Joan Miró Displayed at Metropolitan Museum with Dutch Old Master Paintings
Sotheby's Hong Kong Fine Chinese 2010 Autumn Sale Fetches US$52.2 Million
Rainer Fetting's "Manscapes", Painted between 1974 and 2010, on View at Kunsthalle Tubingen
Fire Virtually Destroys Southeastern England Landmark 19th-Century Hastings Pier
More than 60 Rare and Unpublished Photographs by Richard Avedon Set for Auction
Maryhill Museum of Art Announces Plans for First Expansion in 70-Year History
Most Popular Last Seven Days
1.- Carbon dating finds manuscript contains oldest recorded origins of the symbol 'zero'
2.- Alice Walton announces formation of Art Bridges
3.- Met Museum acquires ancient Egyptian gilded coffin
4.- French fashion tycoon and art collector Pierre Berge dies aged 86 in southern France
5.- Van der Weyden, Rubens and Van Dyck: Flemish masters on view in The Hague
6.- New exhibition at the Morgan Library & Museum explores rare luxury books of the Middle Ages
7.- Mexican archaeologists find dwelling for Aztec survivors of Spanish conquest
8.- Groundbreaking LGBTQ art show opens at the Museum of Contemporary Art in Taipei
9.- Egyptian archaeological dig unearths goldsmith's tomb, mummies
10.- Exhibition at Stadel Museum focuses on works by Henri Matisse and Pierre Bonnard
Prado Museum Loses Visitors in 2010 but More Students and Tourists Visit the Museum
New Collaborative Agreement Between the Museo del Prado and the Japanese Media Group Yomiuri Shimbun
The Museo del Prado Identifies an Unknown Work by Pieter Bruegel the Elder
Prado Museum Exhibits Tapestry Series by Willem de Pannemaker
Museo del Prado Opens New Galleries Devoted to its 19th-Century Collections
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .
|Royalville Communications, Inc|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.