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National Gallery of Scotland Opens "Christen Kobke: Danish Master of Light"
Christen Købke (1810–1848), Rough Sea on a Rocky Coast, 1839. Statens Museum for Kunst, Copenhagen © SMK Foto.
EDINBURGH.- Christen Købke: Danish Master of Light is the first monographic exhibition of paintings by Christen Købke (1810–1848) to be shown outside Denmark. Købke is the greatest of the Danish Golden Age painters, yet he is still insufficiently known outside his native country. This exhibition will introduce one of the most remarkable European artists of the nineteenth century to British audiences.

This show comprises 48 of Købke’s most beautiful and distinguished works spanning a variety of genres: landscape, topography, portraiture and his charming depictions of national monuments. They present some of the most innovative aspects of his work – including outdoor sketching, his fascination with painterly immediacy, and his unique treatment of light and atmosphere.

Scenes include those of his home town, Copenhagen (The Northern Drawbridge to the Citadel in Copenhagen, 1837, National Gallery, London); portraits of many of his family and closest friends (Portrait of the Artist’s Mother, Cecilia Margrete Købke, National Gallery of Scotland, Edinburgh); portraits of fellow artists (Portrait of the Landscape Painter Frederik Sødring, 1832, The Hirschsprung Collection, Copenhagen) and of Danish national monuments (Frederiksborg Castle View Near the Møntbro Bridge, 1835, Statens Museum for Kunst, Copenhagen).

Denmark’s ‘Golden Age’ – the term used to describe the amazing diversity of intellectual, scientific and cultural achievements of the first half of the 19th century – was nevertheless a time of social inequality and economic collapse as the nation was declared bankrupt in the wake of the Napoleonic Wars. Yet Denmark recovered with remarkable swiftness and creative endeavour to produce in its art defining images of a peaceful, innocent, ordered society. Painters such as Købke reflected this renewal of national pride, depicting their lives and reflecting their surroundings through their art. Købke’s work demonstrates his ability to endow ordinary people, places and simple motifs with a universal significance, creating a world in microcosm for the viewer (Cigar Seller at the Northern Exit from the Citadel, Musée du Louvre, Paris).

Købke never strayed far from his home city. He left Denmark for only one brief period between 1838 and 1840, reluctantly making the obligatory artists’ pilgrimage to Italy and painting scenes such as Castel dell’Uovo in Naples, (1838, Statens Museum for Kunst, Copenhagen). He found his inspiration more readily in Copenhagen painting his immediate surroundings, almost all of which were within the fortified walls of the Danish capital (View from Citadel Ramparts Towards Langelinie and the Naval Harbour, Statens Museum for Kunst, Copenhagen). The ‘Golden Age’ has become known as ‘the age of Købke’ and his precise and clear-cut manner, sharp focus and pristine light are now synonymous with our image of this era.

Michael Clarke, Director of the National Gallery of Scotland said: 'Købke is a really wonderful artist, but until now he has remained a well-kept secret as far as the British public is concerned. We have had tremendous support from the Danish museums, who are lending very generously to this show. We, and our partners at the London National Gallery, are the only British galleries who already own works by Købke so it is very fitting that we should collaborate on this project.'

National Gallery of Scotland | "Christen Kobke: Danish Master of Light" | Danish Golden Age Painters |


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