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"American Woman: Fashioning a National Identity" Opens at the Metropolitan Museum of Art
A light blue silk satin British evening cape, circa 1910-1915, center, on display with other period clothing from the Bohemian Girl installation of the 'American Woman: Fashioning a National Identity' exhibit at the Metropolitan Museum of Art in New York, Monday, May 3, 2010. AP Photo/David Goldman.
NEW YORK, NY.- The spring 2010 exhibition organized by The Costume Institute of The Metropolitan Museum of Art is American Woman: Fashioning a National Identity, the first drawn from the newly established Brooklyn Museum Costume Collection at the Met. The exhibition, on view from May 5 through August 15, 2010, explores developing perceptions of the modern American woman from the 1890s to the 1940s, and how they have affected the way American women are seen today. Focusing on archetypes of American femininity through dress, the exhibition reveals how the American woman initiated style revolutions that mirrored her social, political, and sartorial emancipation. Early mass-media representations of American women established the fundamental characteristics of American style – a theme explored via a multimedia installation in the final gallery.

To celebrate the opening of the exhibition, the Museum's Costume Institute Gala Benefit takes place on Monday, May 3, 2010. The evening's Co-Chairs are Oprah Winfrey; Patrick Robinson, Executive Vice President of Global Design for Gap; and Anna Wintour, Editor-in-Chief of Vogue. This fundraising event is The Costume Institute's main source of annual funding for exhibitions, operations, and capital improvements.

"The ideal of the American woman evolved from a dependence on European, Old World view of elegance into an independent New World sensibility that reflected freedoms still associated with American women today," said Andrew Bolton, Curator of The Costume Institute. "The show looks at fashion's role in defining how American women have been represented historically, and how fashion costumes women into archetypes that persist in varying degrees of relevance."

Exhibition Overview
The exhibition features 80 examples of haute couture and high fashion primarily from the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, which was transferred to the Met from the Brooklyn Museum in January 2009. Many of the pieces have not been seen by the public in more than 30 years.

Visitors walk through time as they enter circular galleries that reflect the milieu of each feminine archetype. Period clothing is brought to life with hand-painted panoramas animated by music, video, and lighting. The first gallery evokes the ballroom of the "Heiress" (1890s), filled with ball gowns by Charles Frederick Worth. Scenes of the great outdoors showcase the athleticism and physical independence of the "Gibson Girl" (1890s) as characterized by bathing costumes, riding ensembles, and cycling suits.

An artistic rendering of Louis Comfort Tiffany's studio in New York provides the backdrop for the "Bohemian" (early 1900s), an archetype represented by Rita Lydig and featuring her signature silk pantaloons by Callot Soeurs. The "Suffragist" and "Patriot" (1910s) have backdrops of archival film footage revealing the gradual political emancipation of women after World War I.

"Flappers" (1920s) are evoked through simple, practical chemise dresses for day by Patou, and heavily beaded styles for evening by Lanvin and Molyneux, shown against a mural of New York City inspired by the paintings of Tamara de Lempicka. Cinematic representations of the "Screen Siren" presented in a gallery resembling a 1930s cinema, showcase body-cleaving, second-skin bias-cut gowns, including a dress designed by Travis Banton for Anna May Wong in the film Limehouse Blues (1934). In the final gallery, projected images of American women from 1890 to the present explore how American style has evolved from characteristics represented by each of the exhibition's archetypes.

Designers in the exhibition include Travis Banton, Gabrielle Chanel, Callot Soeurs, Madame Eta, Elizabeth Hawes, Madame Grès, Charles James, Jeanne Lanvin, Liberty & Company, Edward Molyneux, Paul Poiret, Elsa Schiaparelli, Jessie Franklin Turner, Valentina, Madeleine Vionnet, Weeks, Charles Frederick Worth, and Jean-Philippe Worth, among others.

A concurrent exhibition of masterworks from the Brooklyn Museum Costume Collection, American High Style: Fashioning a National Collection, at the Brooklyn Museum (May 7–August 1, 2010) looks at 19th- and 20th-century masterworks by designers including Madame Grès, Charles James, Claire McCardell, Norman Norell, Elsa Schiaparelli, and Charles Frederick Worth collected by prominent women including Lauren Bacall, Dominique de Menil, and Millicent Rogers. Many of these pieces have never previously been exhibited. This exhibition is organized by Jan Glier Reeder, Consulting Curator of the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art.

The Metropolitan Museum of Art | "American Woman: Fashioning a National Identity" | Andrew Bolton |




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