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Ferran Mendoza, Alvaro Sau and William Wylie at the ASU Art Museum
Ferran Mendoza & Alvaro Sau, "Outdoors", 2009. High Definition Video.
TEMPE, AZ.- In the digital age, the way we engage with physical work has shifted drastically. Such shifts are not new and have occurred over the course of human history - from the invention of simple tools, to the industrial revolution, to our current digital society. But as technologies continue to advance, our control and power appear to diminish, not only in our work, but also of our bodies. The body’s relationship to work continues to be less physical. We use mechanical arms to lift both heavy and light objects into place, and vacuums now roam floors on their own. A document that once took the entire use of one’s arm to handwrite can now be created with light touches of computer keys. With voice activation and eye-tracking technologies entering the mainstream consumer market, the hand may soon be removed altogether from the process of work.

Spanish artists Ferran Mendoza and Alvaro Sau traveled the Basque-French border region. The artists refer to it as “this kind of frontier land which we call the outdoors,” a territory of Europe where the “most archaic ways of living coexist with the omnipresent industrial world.” Using their cameras, Mendoza and Sau captured, in high definition video, the residents of this seemingly isolated region in their daily routines and surroundings. The result of their journey is the video "OUTDOORS" (2008), a 56-minute work that delivers a composition of portraits. These portraits provide fleeting glimpses of individuals who take pride in their independence, work and knowhow. Their knowledge of their tools, their environment and how their bodies interact with each is clear and poetic; they perform their tasks as if every specific activity or action has been choreographed.

In the historic quarries of Carrara, Italy, the cavatori (stonecutters) have worked for centuries excavating large slabs of white marble from the earth. Through a fellowship exchange, artist William Wylie was provided the opportunity to spend time observing the everyday operations and interactions of the men who work in these famous quarries, the very quarries used by artists from Michelangelo to Louise Bourgeois. What at first appears to be a focus on machinery is soon realized to be a study of human activity and control. While trucks and machinery within these digital videos appear to struggle and battle to complete tasks, the cavatori work with their hands - making precision measurements and chiseling slight grooves. The artist captures in his Carrara series, Cavatori, The Block, Dust, and Friction (2006), the gestural engagements of the hand and body as the stonecutters work together, using signals and whistles, to coordinate their movements within the noise and chaos of the industrial site. Together these four videos demonstrate that the actions of work can be perceived as beautiful in and of themselves.

The individuals captured in these videos control their own actions by working with their hands and bodies. They do more than just push a button; they exert human energy and create an effect through the power of their own body. Retaining the capability of doing work or accomplishing tasks with the use of the physical body, their forged power is a reaffirmation of human capability.

ASU Art Museum | Ferran Mendoza | Alvaro Sau | William Wylie |


Today's News

February 22, 2010

Survey of the Work of Claude Monet Opens at Museo Thyssen-Bornemisza in Madrid

50 Solo Gallery Exhibitions to be Part of New York Gallery Week 2010

Exhibition Surveys the Impact of Picasso and His Circle in Paris

Portland Art Museum Opens Exhibition with Works that Leave Many "Disquieted"

Philip Johnson's Iconic New York State Pavilion Examined in Exhibition

Samuel Freeman Gallery Recreates Billy Al Bengston Show from the 60s

New Commission on Azerbaijan by Magnum's Gueorgui Pinkhassov

Exclusive Glimpse of the Rich History of the Fascinating World of Charm of Chanel

111 Small-Scale Paintings by Francis Alys at the Irish Museum of Modern Art

High to Host Exhibition Examining 20 Years of Innovation in European Design

Museum of Arts and Design Partners with Fountain Art Fair for a VIP Preview

A Solo Exhibition by Nebojsa Seric-Shoba to Open at Dumbo Arts Center

Retrospective of Architect's Career, Concludes International Tour at Yale

Ferran Mendoza, Alvaro Sau and William Wylie at the ASU Art Museum

Shona Illingworth's Newly Commissioned Film Offers a Vivid Portrait of Balnakiel, a Remarkable Location

Public Art Commission on the High Line Transforms the Way New Yorkers Experience the City through Sound

Royal BC Museum Presents Long-Term Vision to City of Victoria

'If I Can't Dance...' to Take Over the Van Abbemuseum for Eighteen Hours

Waddesdon and the V&A Partner with Brian and Anna Haughton for Art Antiques London

Exhibition of The European in African Art Anounced at Detroit Institute of Arts

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4.- The Baltimore Museum of Art announces three new contemporary exhibitions in fall

5.- New Aspen Art Museum designed by architect Shigeru Ban opens to the public

6.- New York's Metropolitan Museum of Art launches 82nd & Fifth app in 12 languages

7.- MoMA online-only publication features new research on Pablo Picasso and Cubism

8.- Volunteers needed for massive Smithsonian digitization project

9.- Tate Britain welcomes home John Everett Millais's Ophelia and Rossetti’s The Beloved

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