The First Art Newspaper on the Net   Established in 1996 United States Sunday, May 27, 2018

Ghost Forest: a Powerful Visual Statement About Climate Change
People look at the Ghost Forest art installation by British artist Angela Palmer in Trafalgar Square in London November 16, 2009. REUTERS/Stefan Wermuth.

LONDON.- On 16 November, London awakened to find Trafalgar Square inhabited by a series of large rainforest tree stumps, many complete with their buttress roots, transported from a commercially logged tropical primary forest in Western Africa. The installation, entitled ‘Ghost Forest’, is the vision of artist Angela Palmer, and its intention is to inspire and provoke debate about the future of the world’s rainforests.

The installation stands in Trafalgar Square for one week, between 16-22 November, before moving to Thorvaldsens Plads – a city centre square in Copenhagen – to coincide with the UN Climate Change Conference from December 7-18.

Trafalgar Square is a particularly appropriate location: with Nelson’s Column standing at over 50 metres (169 feet) tall, it is the approximate height many of the ‘Ghost Forest’ trees would have stood at in the forest. In Copenhagen, the Ghost Forest stand as a symbol of threatened rainforests throughout the world, as 11,000 delegates from 192 countries debate their future.

The trees, of nine different species, were sourced in the Suhuma forest, Western Ghana and shipped to Tilbury Docks in East London as part of a huge logistical undertaking. The artist originally planned to exhibit the tree stumps upright, but on seeing the roots exposed and cleaned of soil ‘it was like seeing the nerve endings of the planet.’ The tree stumps will lie on their sides on plinths in Trafalgar Square: ‘I want to elevate the rainforest literally and metaphorically, like Nelson.’

Angela Palmer began her epic journey to bring the rainforest trees to England after a discussion with Andrew Mitchell, director of the international scientific alliance the Global Canopy Programme and an adviser on rainforests to Prince Charles. ‘He alarmed me with statistics: a tropical forest the size of a football pitch is destroyed every four seconds, meaning an area twice the size of Belgium is lost every year. The government’s then chief scientific adviser said climate change was a greater threat to humanity than terrorism. The decision to do something was easy; the logistics have been a nightmare.’

The artist chose to source the tree stumps in Ghana, which over the last 50 years has lost 90 per cent of its primary rainforests. Ghana is now determined to preserve what is left, and is at the vanguard of responsible and sustainable forestry. Its remaining forestry concessions are selectively logged under strict regulations, which allows the retention of the forest canopy, the natural regeneration of the forest, and a viable and sustainable timber industry for local people. To reflect this, only a couple of trees in Ghost Forest have been logged, the rest are naturally fallen. ‘This is not yet another message about climate change “doom and gloom”‘, says the artist, ‘It carries a message of hope and optimism for the future’.

The main sponsor for the installation is Deutsche Bank. Of the bank’s involvement, Deutsche Bank’s Colin Grassie, CEO, UK said, ’Our pledge to the ‘Ghost Forest’ project reflects the bank’s continued commitment to the issues surrounding climate change. The installation captures the imagination, while making a bold visual statement about need for action and cooperation globally.’

Angela Palmer was educated at The Ruskin School of Drawing and Fine Art in Oxford, and The Royal College of Art in London. She currently has an exhibition entitled ‘Breathing In’ at the Wellcome Collection in London, which records her trip to the most polluted and cleanest places on Earth (until November 22). She is represented by Waterhouse and Dodd, Cork Street, London, which will exhibit film and photographs recording the ‘Ghost Forest’ journey from November 16 – 20.
The artist considered carefully the carbon footprint which would be incurred in the project, but felt its potential message to millions of people on the impacts of deforestation would outweigh the carbon ’spend’. The carbon cost of ‘Ghost Forest’ will be calculated and offset on a ClimateCare project which has introduced more energy efficient cooking stoves to Ghana, meaning fewer trees are needed to provide cooking fuel.

The trees used in Ghost Forest were sourced and identified with the help of Ntim Gyakari, the former Curator of the Herbarium in Kumasi, Ghana. The Greater London Authority has granted permission for the staging of the installation in Trafalgar square.

Ghost Forest | Angela Palmer | Trafalgar Square | Andrew Mitchell |

Today's News

November 17, 2009

Stylized Nudes Expected to Top Latin American Art Sales at Christie's and Sotheby's

Jaume Plensa Receives the 2009 Marsh Award for Public Sculpture

Ghost Forest: a Powerful Visual Statement About Climate Change

SOFA Chicago 2009 Three Day Wrap Report: The Fear is Gone

Deutsche Bank Signs Agreement as Lead Sponsor of Art HK

Museums Join Forces to Save Nine Couture Gowns by Madeleine Vionnet from Export

Sotheby's London to Offer Rare Items From The Collection of the Duke of Bedford

Albanian Artist Saimir Strati Makes Record Michael Jackson Mosaic

Nine Dusseldorf Museums and Galleries Prepare for Dusseldorf's Second Quadriennale

Exhibition Featuring Musical Instruments of Pacific Islands Goes on View at Metropolitan Museum

Getty Reveals Scientific Knowledge from the Medieval and Early Modern Period

Moderna Museet Announces First Retrospective in Nordic Region for Lee Lozano

Christopher Stone Presented His Sculptures at Agora and Lady Audreys

Exhibition at Onassis Cultural Center Analyzes the Origins of El Greco

Walt Whitman and American Art on View at Katonah Museum of Art

Film Installations by Julian Rosefeldt on View at Kunstmuseum Bonn

New Exhibition Uncovers Sites of Secrecy and Technology Across Britain

Solo Exhibition for Ruth Gilmore Langs at Agora Gallery in New York

Illustrator José Cisneros Dies, Leaves Legacy at University Library

Violence Lull Spurs Timid Revival in Iraqi Art

Most Popular Last Seven Days

1.- New Rembrandt found after being bought at London auction

2.- Exhibition at Fotohof focuses on groups in society who are at risk of marginalisation

3.- John Brennan collection of Rock n Roll memorabilia offered at RR Auction

4.- A Bob Dylan guitar fetches $495,000 at auction

5.- Exhibition in San Francisco focuses on the latter half of René Magritte's career

6.- 'Mad' king Ludwig II of Bavaria lost gift to composer Richard Wagner gets rare show

7.- New Royal Academy of Arts opens in celebration of its 250th anniversary

8.- Researchers uncover Anne Frank's 'dirty jokes'in her diary

9.- New York art sales near $3 billion in two weeks as uber-rich hunt trophies

10.- Berlin's Ethnological Museum returns grave-plundered artefacts to Alaska

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful