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Curator Appointed to Lead Dallas Museum of Art's Departments of European and American Art
Olivier Meslay. Image courtesy the Dallas Museum of Art.
DALLAS, TX.- Olivier Meslay, a noted and longtime curator from the Musée du Louvre, has been appointed to lead the Dallas Museum of Art’s departments of European and American art, announced Bonnie Pitman, The Eugene McDermott Director of the DMA. During his 16-year tenure at the Louvre, Meslay has held a number of senior positions, including Curator of British, American, and Spanish painting. Since 2006, he has served as Chief Curator of Louvre Lens, a satellite of the Louvre being developed in northern France.

An accomplished curator, scholar, and professor, Meslay will hold a joint position at the DMA as Senior Curator of European and American Art and the Barbara Thomas Lemmon Curator of European Art. He will begin work in Dallas in August 2009.

“Olivier’s experience as a scholar and curator at the Louvre, his innovative spirit, and his dynamic leadership will make him an extraordinary asset to the Museum and the audiences we serve. A recognized expert in European and American art, he brings an impressive breadth of knowledge and an important international perspective to our team,” said Pitman.

In his new role at the DMA, Meslay will manage the Museum’s extensive collections of European and American art, comprised of nearly 4,000 works including paintings, sculptures, and works on paper. He will oversee exhibitions, programs, and staff for both departments, working collaboratively with the divisions of Education, Exhibitions and Publications, Collections Management and Marketing. Meslay will also serve as an advocate of the DMA locally, nationally, and internationally, and will act as the primary curatorial representative of FRAME (French Regional and American Museum Exchange), a collaborative organization partnering twelve regional American museums with twelve regional French museums.

“The Dallas Museum of Art is a remarkable institution with an outstanding international reputation,” said Meslay. “I’ve long been inspired by collaborations with my U.S.-based colleagues, and I greatly look forward to the opportunities of this joint role in Dallas.”

Meslay has organized numerous exhibitions over the course of his twenty-year career and is one of France’s leading specialists for American and English art. Before his current appointment as Chief Curator of Louvre Lens, Meslay served as the curator of the innovative “Louvre Atlanta” project, a three-year collaboration with the High Museum of Art that presented in Atlanta a total of seven exhibitions drawn from the Louvre’s collections and attracted more than one million visitors. From 1993 through 2006, he was the Louvre’s curator in charge of British, American, and Spanish paintings and organized such exhibitions as William Hogarth (2006-2007), American Artists and the Louvre (2006), L’art anglais dans les collections de l’Institut (2004), La collection de Sir Edmund Davis (1999), and Georges Lacombe, peintures et sculptures (1991). Meslay also led the development of two publicly accessible databases cataloguing the American and British art collections in French museums, including a total of approximately 5,000 objects.

Meslay is a graduate of the Institut National du Patrimoine (1992-1993), the French State School for Curators. He received an MA from the Ecole du Louvre in 1983, having previously received an MA from the Sorbonne in 1982, where he also earned his BA in 1981. Meslay was a recipient of a fellowship at the Clark Art Institute, Williamstown, Mass., from 2000 until 2001. From 1997 to 2006, he was also a professor at the Ecole du Louvre.

Olivier Meslay | Bonnie Pitman | Louvre | Dallas Museum of Art |

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