The First Art Newspaper on the Net Established in 1996 United States Sunday, November 23, 2014


Pop Art from the Collection of IVAM on View at Espai Municipal d'Art de Torrent
Rear Window, 1971.
TORRENT.- The Valencian Institute of Modern Art (IVAM) presented in Espai Municipal d'Art de Torrent, "Pop Art of the Collecció L'IVAM al 'EMAT" curated by the Director of the IVAM, Consuelo Ciscar and Javier Ferrer director EMAT, which will be displayed from June 18 to August 2. The exhibition brings together over forty works of different techniques and media including paintings, photography, works on paper and sculptures.

The many artists who are included in this exhibit are figures representative of this trend that emerged in the United Kingdom, but reached its full dimension in United States. These include: Hervé Telémaque, Equipo Crónica, Eduardo Arroyo, John Baldessari, Richard Hamilton, Jasper Johns, Robert Rauschenberg, Andy Warhol, Cindy Sherman, Darío Villalba, James Rosenquist, Claes Oldenburg, Richard Lindner and Valerio Adami.

The Collection of the IVAM provides a broad, comprehensive overview of Pop Art and the presence of its legacy in the most recent contemporary creations. It focuses on the artists who influenced the development of the avant-garde movements in Spain, including the important contribution made by Spanish artists to that trend. And we say trend because of the different international manifestations of Pop Art that took place simultaneously in several countries rather than something that stemmed from a single source. Manifestations that can be grouped in categories that go from the precursors of Pop Art like Richard Lidner or artists of the Independent Group like Robert Hamilton or the American precursors Jasper Johns and Robert Rauschenberg or Claes Oldenburg to the artists of New Realism like Martial Raysse, and New Image with works by James Rosenquist, and Narrative Figuration with works by Gilles Aillaud, Hervé Télémaque, Valerio Adami and Eduardo Arroyo, Realismo Crítico represented by the work of Equipo Crónica, Equipo Realidad and Juan Genovés, among other trends, including the legacy that has tinged the cinematographic photography of Cindy Sherman or John Baldessari.

Be that as it may, Pop Art was never a programmatic movement directed by a coherent group that expressed their ideas in manifestoes, but rather a nexus of different groups and critical stances that resorted to images from mass production as their point of departure and that presented important variations according to their geographic and cultural background.

Although in many aspects it is the heir of the historic avant-garde movements, Pop Art constitutes one of the first examples of postmodern art practice thanks, precisely, to its appropriation of images already in existence. Collage and photomontage, along with Marcel Duchamp's ready-mades and similar works or creations of Surrealism, are important artistic antecedents. In fact, a series of Pop artists were directly linked to the latter movement (Jasper Johns, Robert Rauschenberg and Hervé Télémaque). But more than anything else, Pop was the result of the growth of the consumer society that took place in the nineteen fifties and sixties: the new reality that captured the attention of the younger generation.

The British Independent Group, active from 1952, devoted itself to studying and reinterpreting popular culture and the impact of the mass media on society. Some relevant British Pop artists originally involved in the Pop movement produced a kind of painting or sculpture that does not fully develop their own presuppositions of the fifties. Nevertheless, American Pop emerged spontaneously without a group or manifestoes or an agenda, as a series of individuals that came together by chance through the first exhibitions that dealt with the phenomenon. In its treatment of popular consumerist culture and its figures, characters and products, there is a systematic appropriation and a creation of icons by means of a visual operation that consists in shifting them from the banal context of everyday life to the territory of painting, exhibitions, museums, in other words, to culture.

Josep Renau, who uses collage and photomontage techniques to criticize the American society, appropriating ordinary everyday images of the media and popular culture, has been considered a forerunner or a pioneer of Pop aesthetics, above all because of the influence he had on the work of Equipo Crónica and Equipo Realidad, who used the same techniques in painting to establish a critical interpretation of the images and icons that configure the visual culture of Spain at that time, but also turn their critical glance towards the past and history. However, this resorting to history, the painting of the past or cult cinema, which we find in both Equipo Crónica, Equipo Realidad and Eduardo Arroyo, is not limited to the cultural sphere in Spain but involves permanent interrelationship between popular culture and high culture. This is something that did not follow the initial premises of Pop Art, but in the eighties even Warhol was using images from paintings by Munch, De Chirico or Leonardo's Last Supper in his works.

The strategies of Pop provided a (not only visual but also intellectual) framework that, thanks to the contradictions enclosed in this iconographic encyclopedia, constituted a point of departure for political and social reflection about the present. This point of departure allowed Pop to survive in neo and post formulations. Pop Art, in its broadest sense, left the avant-gardes the legacy of a narrative that is still vital for the aspirations of emerging artistic movements today.

IVAM | Eduardo Arroyo | Hervé Telémaque | Equipo Crónica | Eduardo Arroyo | John Baldessari | Richard Hamilton | Jasper Johns | Robert Rauschenberg | Andy Warhol | Cindy Sherman |




Today's News

June 18, 2009

Exhibition Showing the Techniques Used by Julio Gonzalez Opens at Fundacion Picasso

Travel Back In Time with Exhibition This Fall at The Walters Art Museum

Art Teacher Wins BP Portrait Award with Painting of Twilight Daughter

Indian Art Achieves 2,067,400 Pounds and Exceeds Pre-Sale Expectations at Sotheby's London

First Solo Show in Switzerland for American Artist Josh Smith at Geneva's Centre d'Art Contemporain

Study Cites Columbia Museum of Art Generates More than $23 Million in Economic Activity

Hayward Touring Exhibition "Quiet Revolution" to Open at Milton Keynes Gallery

Huge Interest & Strong Sales at 2009 International Ceramics Fair & Seminar

Mexico's National Institute of Anthropology and History and Google Put Mexico on the Map

Notable Japanese Mandalas Go on View at Metropolitan Museum of Art

Pop Art from the Collection of IVAM on View at Espai Municipal d'Art de Torrent

Badiano Codex, Key to Study Indigenous Medicine

Expanding Horizons Painting and Photography of American and Canadian Landscape 1860-1918

Designs of the Omega Workshops on View at the Courtauld Gallery

Israel Museum Coexistence Project Culminates in Arab-Israeli Sculpture Event

Chiapas Indigenous Peoples in Ethnographic Atlas

Ullens Center for Contemporary Art in Beijing Presents Isabelle Huppert: Woman of Many Faces

Graham Sheffield appointed as Advisor to British Council Arts Group

Crystal Bridges Museum Reveals Painting by Hudson River School Artist Thomas Moran

Designer's "Bathroom Stall Graffiti" on Display at Mexico Museum

Most Popular Last Seven Days



1.- Greece holds breath as skeleton found in Alexander the Great-era tomb at Amphipolis

2.- Spain mourns the death of art collector Cayetana Fitz-James Stuart, Duchess of Alba

3.- Meet the ancestors: Exhibition at Bordeaux gallery reveals faces of prehistoric humans

4.- Getty Foundation and partners launch free of charge online art collection catalogues

5.- Historic photos of dead Cuban revolutionary Che Guevara resurface in small Spanish town

6.- Exhibition showcases the first two 'Poesie' created by Titian following their restoration

7.- O'Keeffe painting sells for more than three times the previous world auction record for any female artist

8.- Crystal Bridges announces the departure of museum President Don Bacigalupi

9.- artnet Auctions offers a later example of Yayoi Kusama's important Infinity-Nets series

10.- 'Degenerate art' should go back to museums: German advisor Jutta Limbach

Related Stories



The IVAM reviews the iconography of the American dream in the exhibition 'America, America'

Valencian Institute for Modern Art exhibition opens with the work of José Manuel Ciria: The Last Decade

IVAM Announces Two Exhibitions of Masterpieces of 20th and 21st Century Art from Its Collection

Exhibition of Outstanding Works on Paper from IVAM's Collection Opens in Valencia

Selections from The Judith Rothschild Foundation Contemporary Drawings Collection on View in Valencia

IVAM Commemorates the Centenary of the Birth of Architect Felix Candela with an Exhibition of His Work

Pop Art from the Collection of Valencia's IVAM Travels to Cuba

The Red Line: A Selection of Spanish Abstract Art in the IVAM's Collection

IVAM Opens Exhibition which "Tells a Story in Five Rooms"

IVAM Offers Revealing View of the Social Changes in Cuba



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site