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California African American Museum Erases Distinction Between Fine Arts and Crafts


LOS ANGELES, CA.- “Inside My Head: Intuitive Artists of African Descent,” an exhibition at the California African American Museum, showcases the work of 32 artists, many of them local, who have developed a mature style mostly on their own. Opened Thursday, May 7, this colorful and engaging exhibition will run through Monday, September 27, 2009. While a number of artists in the show are self-taught, others with formal training have deviated from it to evolve towards a very personal vision, often ignoring the mainstream art world.

According to CAAM curator Mar Hollingsworth, who assembled the exhibition, what seems to unite all these creators is their search for an unadulterated truth, a sense of authenticity that often manifests in representational artwork that celebrates their Black heritage and their physical, spiritual and cultural environment. Some of the artists presented here work with media that has been widely recognized as belonging to the “fine arts” realm, while others create pieces that have been only marginally considered as such.

“One of the main purposes of this exhibition is precisely to erase such boundaries,” she explains. “Whether the creator makes a sculpture out of marble or a quilted dress with fabric remnants, the final product stands on its own in terms of quality of execution, design and composition. The exhibition will prove that artistic expression can be manifested in many forms and through many techniques, independently of schooling, and that the transition between art and craft may be seamless.”

The exhibition, she explains, tries to shed some light on the many ways creativity and artistic expression can flourish, as well as to validate a body of work that may not be sanctioned by the “cutting-edge” establishment. “In many ways,” she adds, “African American artists have been outsiders for centuries-- they were excluded from the mainstream galleries and museums, since their sense of creativity and subject matter were often distinctively unique and deeply rooted in cultural traditions.”

The exhibition is divided into areas that follow specific themes: Dreams, Visions and Recollection, Fantastic Creatures, Pride and Recognition, Spirituality and the Divine, and The Power of Transformation. Included are paintings, sculptures, collages, assemblages, photographs, videos, dolls, garments and jewelry. Thirty-two contemporary artists are represented in the show. They are: Jaami Abdul-Khaliq Abdul-Samad, Donna Angers, Floyd Bell, Patricia Boyd, Angela Briggs, Tracy Brown, Yrneh Brown, Ron Carrington, Chukes, Cola, Madi Comfort, Charles Dickson, Graham Goddard, Deidre Greene, Mamie Hansberry, Stephen Hardy, Sy Hearn, Elton Henderson, Ronald Jackson, Michael Massenburg, Bridgitte Montgomery, Dominique Moody, Anne Myatt, Elliott Pinkney, Noah Purifoy, Aydeé Rodríguez, Toni Scott, Karen Seneferu, Malik Seneferu, Dorothy Taylor, Teresa Tolliver and Timothy Washington.

California African American Museum | Jaami Abdul-Khaliq Abdul-Samad | Donna Angers | Floyd Bell | Patricia Boyd | Angela Briggs | Tracy Brown | Yrneh Brown | Ron Carrington | Chukes | Cola |





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