The First Art Newspaper on the Net Established in 1996 United States Thursday, October 23, 2014


Exhibition Focuses on the Science of Fine-Arts Conservation
Edward Hopper, Sunlight in a Cafeteria (UV illumination revealing the areas of selectively applied natural resin varnish), 1958. Oil on canvas, 40 3/16 x 60 1/8 in. (102.1 x 152.7 cm). Yale University Art Gallery, Bequest of Stephen Carlton Clark, b.a. 1903
NEW HAVEN, CT.- Time Will Tell: Ethics and Choices in Conservation showcases the important relationship between curators and fine-art conservators as they consider techniques for and approaches to caring for museum objects in their collections. The exhibition, organized by the Yale University Art Gallery, demonstrates that no aspect of conservation is simple or straightforward. Each of the objects chosen for this exhibition highlights a specific conservation choice and the decision-making process that goes into its treatment and display. “The aim of the exhibition is to show the public some of the complex issues that conservators and curators consider when deciding the best course of treatment for an object,” says Ian McClure, the Susan Morse Hilles Chief Conservator at the Gallery.

As a constantly evolving science, fine-arts conservation faces conflicts across time, since what appears to be well advised and ethically acceptable to one generation might prove misconceived to the next. Laurence Kanter, the Gallery’s Lionel Goldfrank III Curator of Early European Art, adds, “The relationship between conservators and curators is a dialogue, a two-way street. Elucidating this relationship is the purpose and aim of the show, demonstrating two important points: that works of art are not simply cleaned and put on view and that studying works of art without understanding their physical makeup is an inadequate approach to scholarship.”

Time Will Tell: Ethics and Choices in Conservation arose in part from the idea of displaying the recently acquired ancient Roman Figure of a Woman, either during or after its intended conservation treatment, and grew to encompass many of the critical issues conservators and curators face. Affectionately known to Gallery staff as the “Green Lady,” due to the greenish algae that marred its surface, the marble statue introduces visitors to problems of evaluating authenticity and restoration. Because of the otherwise excellent condition of the statue and its exceptionally fine carving, the Green Lady will become a highlight of the Gallery’s collection. However, in addition to having its surface cleaned, the statue has at least two generations of intrusive restoration to be reconciled. The most jarring of these is a reconstructed right arm that is inaccurately positioned and inconsistent in scale from the original. Conservators and curators together must decide how to reverse the damage that has been done (both by the elements and by previous restoration efforts), how to prevent further damage, and how to display the portrait in its best light, without misleading additions.

Other dilemmas confronting curators and conservators involve aesthetic choices that seem directly opposed to the intuitive practice of conservation. Whereas the conservator’s role is commonly viewed as returning an object to its original state, in some cultures restoration is prized for its visibility. A thirteenth-century Chinese container in the exhibition features multiple layers of repairs and additions, including an eighteenth-century lid and a dragon-shaped pewter handle added in the twentieth century. The additions, which transformed the object’s use from a vessel that may have held water for rinsing brushes to an incense container, are emblematic of Japanese tea culture, a tradition in which an object’s function may change over the centuries. The challenge for today’s curators and conservators is to respect the integrity of the object.

Often objects will take on new life after they have been conserved. Time Will Tell features a painting, previously dismissed as a derivative provincial production, that may actually be an important early work created between 1305 and 1310 by the Italian painter Ugolino di Nerio, Duccio di Buoninsegna’s most gifted and original follower. This identification was only made possible by recent conservation treatment. Technical examination by conservators and curators has also revealed that a Renaissance cassone chest, once thought to be a pastiche assembled in modern times from unrelated fragments, may in fact be an important object from the workshop of Paolo Uccello, the only one of its kind by the artist known to survive largely intact. Although restorations added to it early in its history, as well as more recent additions, compromise the integrity of the original object, it is difficult to know whether removing or revising them might result in other, more dramatic compromises.

As Lisa R. Brody, Associate Curator of Ancient Art, points out, “Discussions among conservators and curators behind the scenes at the Gallery constantly inform our research and our exhibitions. We hope that this exhibition will bring some of those discussions and their significant results into the public eye.” McClure adds, “The objects we selected for the exhibition are drawn from a broad range of media, not only painting, which is the first thing the public thinks of in connection with conservation. We also wanted to point out unusual connections—the way we might treat an African mask has close similarities to a seventeenth-century Dutch painting, or an eighteenth-century harpsichord to a twentieth-century kinetic light box.”

Presenting many rarely seen items from the Gallery’s permanent collection, along with an eighteenth-century harpsichord lent by Yale’s Collection of Musical Instruments, Time Will Tell: Ethics and Choices in Conservation offers new insight into the art and science of object care. The exhibition reveals that there are no simple answers to the questions conservators and curators face, and only “time will tell” how successful their solutions are.





Today's News

May 11, 2009

ArtDaily Opens its Archives and Exhibits Past Front Pages at the Disposal of Art Lovers

Cleveland Museum of Art Announces Asian Art and the Legacy of Sherman E. Lee Exhibition

Exhibition Focuses on the Science of Fine-Arts Conservation

Sotheby's Sale of American Paintings, Drawings and Sculpture to be Held May 21, 2009

Museum of Fine Arts, Boston, Receives Archive of Legendary Fashion Illustrator Kenneth Paul Block

Inventing the Shuttlecocks Illustrates Creative Process Behind Badminton Birdie Sculptures

Serpentine Gallery Presents First UK Survey of the Work of Jarman Award Winner Luke Fowler

Exceptional Works from Renowned Dealer Mallett Leads Christie's Sale

Singapore Art Museum Publishes the Book Latiff Mohidin: The Journey to Wetlands, and Beyond

A Rare 2,000 Year Old Hebrew Document Written on Papyrus was Seized in an Operation

Maxfield Parrish Historian in Spotlight for Tyler Museum Art Spring Lecture Series Program May 14

The Whitney to Present Georgia O'Keeffe: Abstraction

Carnegie Museum of Art Announces Dan Byers as Assistant Curator of Contemporary Art

Dia Art Foundation Announces Appointment of Yasmil Raymond as Curator

Legion of Honor to Show John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer

ART HK Presents Unparalleled Opportunity to See Most Exciting Work being Produced Around the World Today

MCA Denver Presents Two Exhibitions Exploring on Popular Culture

Indianapolis Museum of Art Announces the Appointment of Katherine Campbell Nagler as Manager of Donor Relations

Expressions 2009: Art by DC Youth at the Corcoran Gallery of Art

Most Popular Last Seven Days



1.- Image of a Christ without a beard, short hair and wearing a toga unearthed in Spain

2.- Giant mosaic unearthed in mysterious tomb in Amphipolis in northern Macedonia

3.- Bonhams sale of 18th century French decorative arts to benefit Fine Arts Museums of San Francisco

4.- Paris flustered by erection of 'sex-toy' sculpture; Paul McCarthy slapped by a passer-by

5.- High art or vile pornography? Marquis de Sade explored in Orsay museum exhibition

6.- 'Cubism: The Leonard A. Lauder Collection' opens at the Metropolitan Museum of Art

7.- Greek culture minister says Elgin Marbles return a matter of 'global heritage'

8.- Vandals deflate Paris 'sex-toy' sculpture by American artist Paul McCarthy after outrage

9.- Exhibition at National Gallery in London explores Rembrandt's final years of painting

10.- 'Hans Memling: A Flemish Renaissance' opens at the Scuderie del Quirinale in Rome

Related Stories



Important Judaica and Israeli & international art bring a combined $7.9 million at Sotheby's New York

Tunisia to auction ousted despot's treasures

Andy Warhol's Mao portraits excluded from the Beijing and Shanghai shows next year

China criticises French Qing dynasty seal auction

Christie's announces auction marking the first half century of the popular and luxurious interiors shop Guinevere

Nine new exhibits debut at San Diego International Airport

Rembrandt masterpiece "Portrait of Catrina Hooghsaet" back on display at National Museum Cardiff

Amber: 40-million-year-old fossilised tree resin is Baltic gold

Egyptian artist Iman Issa wins the Ist FHN Museu d’Art Contemporani de Barcelona Award

The main chapel of the Basilica of Santa Croce open for visits after five year restoration



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site